Central Park Five: Ken Burns recounts harrowing civil rights tale

Ken Burns’ The Central Park Five tells the true story of five black and Latino teens wrongfully convicted for a 1989 crime in Central Park. Sarah Burns and David McMahon also direct. This film is based on Sarah Burns’ book The Central Park Five.

When a white female jogger was raped and assaulted on April 19, 1989, public uproar followed. New York City police and politicians faced intense pressure to catch and convict someone quickly. Interviews and archival footage recount the historic case.

Film helps us remember, forgive, heal

Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise were hanging out in Central Park with other teens that night. They were accused of “wilding” (roaming in a large crowd and attacking others). The film never clarifies whether the five Harlem teens – ages 14 to 17 – took part in “wilding.”

Interrogated without food or water for 14 to 30 hours, each suspect was threatened and not allowed to see his family. Not one of them asked for a lawyer.

Police promised them freedom if they would confess to the rape and assault. One by one, the boys confessed. Examined today, the written confessions appear to have been worded by police.  Police and prosecutors declined to speak with the filmmakers.

Confessing under duress

I felt sick to my stomach hearing the angry, judgmental tone in journalist’s reports from those days. The teens recanted their stories as soon as they were appointed lawyers. It was too late to correct public perception.

The press and law enforcement officials did not question the facts of the case. Sensational headlines used racial code words like “wolf pack.” Even many Harlem residents believed the teens were guilty.

New York City was sharply divided along racial and socioeconomic lines at that time. “I want us to remember what happened that day and be horrified by ourselves,” says historian Craig Steven Wilder, head of MIT’s History section. “It really is a mirror on our society.”

Facts don’t add up

The investigation showed that the teens were not near the victim at the time of the assault.  DNA evidence did not match any of the suspects. Forensic evidence showed that one attacker, not five, dragged the Central Park jogger into the woods that night.

“I wish I had been more skeptical as a journalist,” said Jim Dwyer of the New York Times. “A lot of people didn’t do their jobs – reporters, police, prosecutors, defense lawyers. . . . Truth and reality and justice were not part of it.”

One lone juror believed that the teens were innocent. He appears in the film, admitting that he finally gave in and voted with the others.

Could it happen today?

The convictions were overturned when the real rapist, Matias Reyes, confessed to the crime. The Central Park Five were released in 2002 after prison terms ranging from six to 13 years. The jogger eventually recovered with no memory of the assault.

A $250 million federal civil rights lawsuit remains unresolved. New York City comptroller John Liu has urged the city to settle the case. New York City continues to state that police and prosecutors acted properly.

The Central Park Five reminds us that when we judge, we cannot truly see. It is a duty and a privilege to practice compassion, to treat others as we would be treated.

One question still haunts me: Could this happen today?

The Central Park Five: Take Action

To learn more and to take action for peace and justice, please visit:  American Ubuntu; James O’Dea; CivilRights.org; Restorative Practice in Schools.

If you like Central Park Five, you might enjoy:  Dakota 38; Road to Peace; Top 25 Films.

 

Central Park Five   2012  /  NR /  1 hour, 59 min

Cast Overview:  Angela Black, Calvin O. Butts III, Natalie Byfield, David Dinkins, Jim Dwyer, Ronald Gold, LynNell Hancock, Michael Joseph, Saul Kassin, Ed Koch, Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana Sr., Raymond Santana, Michael Warren, Craig Steven Wilder, Korey Wise

Director:  Ken Burns, Sarah Burns, David McMahon

Genre:  Documentary, History

Beasts of the Southern Wild: girl’s spirit soars despite flood

Beasts of the Southern Wild soars as a girl finds wonder in post-apocalyptic Louisiana. This devastating tale of resilience marks Benh Zeitlin’s remarkable feature debut.

A cast of local non-actors fills Beasts with authentic grit. Winner of the Camera d’Or at Cannes and the Special Jury Prize at Sundance, Beasts is now playing in theaters.

Girl meets world

Hushpuppy (astounding Quvenzhané Wallis) is a six-year-old living in southern Louisiana. As a Hurricane Katrina-like storm approaches, she and her daddy Wink (Dwight Henry, violent and valiant) hunker down in their shanty. Defiant residents of “the Bathtub” hold fast in the tidal basin.

Wink is succumbing to disease and heavy drinking. But Hushpuppy, who narrates movingly in broken English, holds her head high. She knows her small but important place in the Universe. She loves herself and is proud of her heritage.

Hushpuppy evokes memories of her absent mother. The glow of a distant lighthouse signifies her momma’s love. The girl is also an animal whisperer whose empathy with all creatures dispels loneliness.

Modern-day ark

References to melting polar ice caps and ancient beasts lend historic and modern context. After the flood, Wink teaches his daughter to catch catfish with her bare hands. Love and loyalty hold their community together. The heroes live on crawfish, shrimp, crabs and sometimes alcohol. They mock authority from the edge of civilization.

Wink’s tough love has forged Hushpuppy’s fierce individualism. That’s deepened by her sense of wonder. Wallis’ dignity and tenacity remind me of Ree Dolly in Winter’s Bone.

 

Allegory of survival

Ben Richardson’s cinematography conjures dreamlike realism. Motherless children float in makeshift boats over stark, dying waterscapes. A bustling, sweaty brothel becomes a temporary haven. Hushpuppy faces giant, wild boars in a surreal moment right out of Gabriel Garcia Marquez.

Finally, Beasts raises the region and its inhabitants to mythic status.

If you like Beasts of the Southern Wild, you might enjoy:  Winter’s Bone.

 

Beasts of the Southern Wild  /   2012  /  PG-13  /  1 hour, 33 min

Cast Overview:  Quvenzhané Wallis, Dwight Henry, Levy Easterly, Gina Montana

Director:   Benh Zeitlin

Genres:  Drama, Fantasy

 

Moonrise Kingdom: young love persists in Wes Anderson dramedy

Love endures in Moonrise Kingdom, Wes Anderson’s fable about young love and believing in yourself. The director has crafted a work of art that is unabashedly odd, wonderfully warm and sensitively observed.

Newcomers Jared Gilman (Sam) and Kara Hayward (Suzy) grace an all-star cast. Moonrise Kingdom is a mythic tale where true love prevails in a world where it is so often forbidden.

Claiming happiness

When sweet, determined Sam deserts summer camp to elope with Suzy, a tempest of adult alarm ensues. During a frantic search we learn more about Sam (a “disturbed” orphan who has just been disowned by his foster parents) and Suzy (a dreamer and spitfire who will not tolerate any disrespect). Both are smart and honest.

The 12-year-olds exchanged letters over a year while planning their escape. Sam sharpened his survival skills in the Khaki Scouts, where he braved teasing and ostracism. Suzy wants to flee the family who just doesn’t understand her.

The two hardly know each other. Their love is sincere and uncomplicated.

Great character development

Gilman and Hayward achieve a natural rapport as serious idealists. Sam leads the way over an old Indian trail on the coastal island of New Penzance. He smokes a corncob pipe and shares nerdy observations.

Suzy wears a red and white dress and Mary Jane shoes. She peers ahead through binoculars. At bedtime she reads heroic tales aloud. On her portable record player, a symphony plays.

In one of the best scenes, Sam and Suzy dance in their underwear on a beach, limbs akimbo in awkward glee. It’s a celebration of childhood and budding adolescence. Cinematographer Robert Yeoman uses a soft color palette to create a timeless, moving portrait.

Bruce Willis gives sharp performance

The adults speak in stilted deadpan. Unhappy and frustrated, they are quick to criticize and say “no.”

The exception is Captain Sharp (Bruce Willis), an empathic police captain with a clandestine love life. Willis’ subtle comedic gift shines as the captain gets to know Sam.

In an engaging twist, Sam’s fellow scouts have a change of heart, deciding to pledge allegiance to the young couple.

Playing at adulthood

Suzy’s parents (Frances McDormand and Bill Murray) are two lawyers, content to babble about legalities. Mrs. Bishop sneaks out on the sly at night. Mournful Mr. Bishop looks on.

Edward Norton plays uptight Scout Master Ward, who must redeem himself in the eyes of Harvey Keitel’s scout commander. Jason Schwartzman comes to the rescue as Cousin Ben. A uniformed Tilda Swinton plays snooty Social Services.

A masterpiece of melancholy

Many elements combine in a grand comedy of meaning. Anderson (Rushmore) and Roman Coppola wrote the zany, touching screenplay. The casting is superb. Alexandre Desplat’s music lends classical gravitas. The venerable Bob Balaban narrates. It’s 1965 all over again.

Not everyone enjoys Anderson’s stylized approach. I was instantly enchanted. Moonrise Kingdom is a visual masterpiece, an engaging comedy with emotional depth. Who’s to say this isn’t love?

If you like Moonrise Kingdom, you might enjoy: The Art of Getting By; Terri; Submarine.

 

Moonrise Kingdom  /   2012  /  PG-13  /  1 hour, 40 min

Cast Overview:  Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jared Gilman, Kara Hayward, Jason Schwartzman, Harvey Keitel, Bob Balaban (Narrator)

Director: Wes Anderson

Genres:  Comedy, Dramedy, Romance

Transitioners build local, sustainable communities

In Transition 2.0 visits local, sustainable communities where everyone has a value, a place and a purpose. Emma Goude edits and directs.

Healthy communities

If you’ve ever wanted to start a sustainable community, or are interested in a community lifestyle, this documentary offers insights and heartfelt strategies.

The Transition Network boasts over 900 registered initiatives and over 1800 communities around the world. The film surveys communities in seven countries, including one group that fails (and resurrects itself); a group in Japan helping with Fukushima disaster recovery, and an urban farm near Pittsburgh.

The DVD is available at their website.  The organization’s first film, In Transition 1.0, is streaming on Vimeo.

“Boom” and “bust” economics

Imagine a healthy, sustainable economy without extreme booms and busts. Peak oil economies are linked to “climate chaos” and “economic crisis,” a child named Samadi explains.

As oil supplies dwindle, world economies stall as the cost of goods skyrockets. In sustainable economies, renewables, enterprises and “local stuff” create jobs and prosperity for all.

This “alternative to consumerist behavior” not only creates engagement and social cohesion, Transitioners say. It’s lots of fun.

Stage 1: Dream

Initial meetings provide a space to create and play with ideas. Sophy Banks of Transition Network likes to imagine an inclusive, sustainable, thriving, happy community 20 to 50 years from now. She then asks her group to brainstorm on how to arrive at that place.

This shared vision draws communities towards fulfilling their dream, Hopkins says.

Stage 2: Deepen

Groups become a bit more structured and formal in Stage 2. At the Sustainable Village of Amoreiras in Portugal, volunteers clean and paint the entire village. A local market is created. They are planning local facilities for children and healthcare.

Chris Condello co-founded Whitney Avenue Urban Farm near Pittsburgh. The group has planted a number of gardens near boarded up homes. Food is given away to local food banks and neighbors, or sold locally.

Resident Lorna Taylor cries when she recalls how poverty-stricken Whitney Street has been beautified. One young volunteer says working on the farm keeps him out of trouble.

Infighting forced Transition Lancaster in the UK to fold within a year, says Chris Hart, initiator of the group. Failures like this become learning opportunities, says Banks. The new Transition City Lancaster has over 450 members.

Stage 3:  Connect

Transition Town Monteveglio in Bologna, Italy works with the town council, says initiator Christiano Bottone. The process was energized when Transition enthusiast Daniele Ruscigno was elected mayor.

A resolution to reduce fossil fuel use and create an “energy descent” plan was enacted. Six villages in the valley are participating in an Enescom project to develop and use alternative energy. Change has been accelerated by working with local government, says Bottone.

Stage 4:  Build

Strategic action comes next. Transition groups have set up energy companies, local currencies and social enterprises. The Marsden and Slaithwaite Transition Towns in West Yorkshire, UK have a community grocery store and bakery to encourage local shopping. This economic activity benefits other local shops.

The Handmade Bakery provides bread to 60 families who pay for bread in advance. Customer loans to the bakery helped it expand. The loans are repaid with bread.

Transition Town Lewes established the first community-owned solar power station in Britain, says Dirk Campbell, OVESCo Director. Leasing the rooftop of a brewery, the station generates power for 40 homes.

E-currency: pay by cell phone

Transition Brixton launched its own e-currency, the Brixton Pound, in 2009. Over 200 businesses accept the currency. Customers pay by text from their cell phones. This avoids having to use the expensive card-swipe method.

India’s first transition community, Heal the Soil, began in March 2011. Snehal Trivedi, co-founder of the group, says it has introduced kitchen gardens to over 100 households in four Tamil Nadu villages.

Transition Fujino in Kanto, Japan is sharing renewable, bio-diesel and even bike-generated energy in its area and beyond to create a green energy future for Japan, says Hiroshi Okawa.

Celebrating Change

Celebrations foster enjoyment, build trust and recognize achievements, Banks says. A Trash Catcher’s Carnival held a town parade to celebrate the recycling of millions of plastic bottles, shopping bags and crisp packets.

Small, local efforts add up for significant change, says Hopkins. He believes that sustainable communities can be effective where government and individual efforts fall short.

If you like In Transition 2.0, you might enjoy:  The Economics of Happiness; GrowthBusters.

 

In Transition 2.0     2011  /  NR /  1 hour, 6 min

Cast Overview: Rob Hopkins, Sophy Banks, Samadi van Coten, Chris Hart, Christiano Bottone, Daniele Ruscigno, Susan Steed, Chuka Umunna, Snehal Trivedi, Hiroshi Okawa, Julie Lee

Director:  Emma Goude

Genre:  Documentary, Sustainable Communities, New Thought

We Bought a Zoo: broken hearts, oddballs navigate tough times

In We Bought a Zoo, broken hearts and oddballs unite to revive a struggling zoo. Cameron Crowe directs this family dramedy based on a true story.

Cool animals, great people, yams and monkey chow abound. We Bought a Zoo is now streaming at Amazon.com and available at Netflix.

Living your dream

After his wife dies, Benjamin Mee (Matt Damon) is desperate to create a fresh start for his kids, 7-year-old Rosie (Maggie Elizabeth Jones) and rebellious teen art prodigy Dylan (Colin Ford).

Benjamin decides to buy the struggling Rosemoor Wildlife Park. Rosie is thrilled. Dylan is mortified.

Soon after arriving, they meet head zookeeper Kelly Foster (Scarlett Johanssen) and the staff. Dylan notices 13-year-old Lily (Elle Fanning, gracious and goofy as Kelly’s homeschooler cousin).

Benjamin is inspired by the new adventure, a “good dream” where nights are filled with lemur laughter and revelry at The Jaguar pub. In real life, Mee manages the Dartmoor Zoo in England.

So many memorable actors

Casting by Gail Levin complements many great performances. Most memorable are Jones as cute, precocious Rosie; Thomas Haden Church as Benjamin’s neurotic brother Duncan, and Angus Macfadyen as visionary Peter MacCready, a builder of animal enclosures.

Adding to the fun are John Michael Higgins as uptight USDA inspector Walt Ferris, and J.B. Smoove as exuberant real estate agent Mr. Stevens.

Everyone will have to work together for the zoo to pass inspection and re-open to the public.

Value of going within

Nine miles away from civilization, the zoo provides lots of quiet time. The characters stay true to themselves as they wrestle with inner demons. Dylan sketches dark scenes from the Underworld.

Benjamin is not ready to date again, despite Duncan’s pleas. “It’s great. I get it. This whole spiritual journey,” Duncan warns. “You’re insane.”

Talking to the animals

The animals are beautifully appreciated by cinematographer Rodrigo Prieto (Brokeback Mountain; Biutiful). A sense of wonder is built with close-ups of lions, zebras, otters, camels, monkeys, peacocks, ostriches and parrots.

There’s a knack to talking to the animals. A petulant porcupine schools Benjamin. “You have to be real with ‘em,” he’s told.

Listening to people and animals

Benjamin coaxes Spar, the ancient Bengal tiger, to eat his food. Finally he realizes that Spar no longer wants to live. Animals will show you what they want to convey, Kelly tells him.

Father and daughter develop the gift of listening to and speaking with animals naturally. It’s a way to develop a rapport with the soul.

Father and son constantly fight. “Why don’t we just tell each other what we wish the other guy would say?” Benjamin suggests. “I’m sorry I brought you out to the sticks,” Dylan begins. “You’re a great dad,” Benjamin replies.

Odd beauty discovered

Benjamin struggles to heal his heart. Kelly frets that she’s pathetic, shoveling bear manure while her girlfriends party. Slowly, the two appreciate each others’ odd beauty.

Kelly and the staff haven’t been paid in months. They doubt whether Benjamin will be able to keep paying all the bills.

20 seconds of insane courage

A gifted humanist director, Crowe (Jerry Maguire; Say Anything . . .) has made a charming, intelligent film with a snappy pace.

Crowe and Aline Brosh McKenna adapted the beautiful screenplay from Mee’s book We Bought a Zoo. My favorite line is Benjamin’s advice to Dylan: “Sometimes all you need is 20 seconds of insane courage. Just, literally 20 seconds of embarrassing bravery.”

Walking with lions

Buster, a 650 pound North American grizzly, escapes one day. This endangers the zoo’s reputation. A record storm the week before the scheduled opening tests everyone’s faith.

The plot is predictable, and some moments are overly sweet. Still We Bought a Zoo finds greatness in the human condition. As MacCready reminds us, “We walk with lions.”

If you like We Bought a Zoo, you might enjoy:  The Way; Big Miracle.

 

We Bought a Zoo    2011  /  PG /  2 hours, 4 min

Cast Overview:  Matt Damon, Scarlett Johansson, Thomas Haden Church, Patrick Fugit, Colin Ford, Elle Fanning, Maggie Elizabeth Jones, John Michael Higgins, Angus Macfadyen, Peter Riegert, Stephanie Szostak, J. B. Smoove

Director:  Cameron Crowe

Genre:  Dramedy, Family

 

Kid with a Bike: Thomas Doret stars, reclaiming a bike and a future

In The Kid with a Bike, Cyril (Thomas Doret) grows up as he hunts for his father. Jean-Pierre and Luc Dardenne direct this human interest tale with many luminous moments.

The Kid with a Bike won the Grand Prix at Cannes 2011. It’s now playing at these theaters.

Creating his own luck

Cyril lives in a state-run boys’ home. Cunning and angry, he flees at every opportunity. He’s determined to find his father (Jeremie Renier), who left no forwarding address. Ready to forgive, Cyril questions anyone who may have last seen him.

Doret’s performance reveals a sensitive, stirring insistence on loyalty and truth. Boiling with conflicting emotions, he’s a kid on the verge of falling into crime.

Love and redemption

Cecile de France plays Samantha, a single hairdresser who does a good deed. After Cyril crashes into her in a doctor’s waiting room, she hears his story. It seems the father sold Cyril’s bike and disappeared.

Samantha buys the bike and returns it to Cyril. De France is radiant in her ordinariness, and excels during several plot twists.

Cyril swoops, circles and balances on one wheel. Although he must answer to adults, he’s determined and free. He follows his truth and breaks rules if they prevent him from doing what he thinks is right.

Showing great survival instincts, Cyril asks Samantha if she would offer him a foster home on weekends.

Standout moments

You’ll cringe as Cyril walks the wild side, especially when a local drug dealer Wes (Egon Di Mateo) takes an interest in the lonely 11-year-old.

When Cyril agrees to carry out a robbery for Wes, the deed becomes initiatory, a poignant rite of passage. Cyril embraces danger in a way that vividly recalls youthful risks.

Ordinary and extraordinary

The Dardenne brothers (L’Enfant) portray ordinary characters facing terrific challenges. They achieve deep meaning in every scene, treating you to many delights and a powerful ending.

It’s thrilling to watch Alain Marcoen’s cinematography. As Cyril bikes over the rapids of a darkening street, Marcoen’s camera flows alongside him for long seconds.

It’s an eternity of a childhood moment, letting you savor those endless days. (5 out of 5 stars)

If you like The Kid with a Bike, you might enjoy:  In a Better World.

 

The Kid with a Bike  /   2011  /  PG-13  /  1 hour, 27 min

Cast Overview:  Cécile de France, Thomas Doret, Jérémie Renier, Fabrizio Rongione, Egon Di Mateo

Directors:  Jean-Pierre and Luc Dardenne

Genre:  Drama

Language: French with English subtitles

To save Coal River Mountain, Bobby Kennedy Jr. joins West Virginians

Coal River Mountain is The Last Mountain in a film filled with West Virginia voices. Bill Haney directs.

This eloquent documentary examines coal, wind, water, American democracy and rural spirit.

Destruction detailed

Mountaintop removal mining has destroyed over 500 Appalachian mountains, decimated 1 million acres of forest, buried 2,000 miles of streams, and contaminated many more, according to the film. Haney co-wrote the screenplay with Peter Rhodes.

Almost half of the electricity in the U.S. comes from burning coal, Haney tells us. One-third of that coal comes from West Virginia.

Activist Bobby Kennedy Jr. called

Coal River Mountain is the last barrier to toxic blasting dust and sludge containment areas, says Bo Webb of Naoma, WV. To save the mountain, local residents contact environmental lawyer, writer and activist Bobby Kennedy Jr.

Heavy metals taint water

Scientists measure high levels of heavy metals downstream from area mines. Lead, arsenic and selenium are found. “It’s ruined their wells, it’s ruined their springs,” says Dr. Ben Stout, professor of Biology at Wheeling Jesuit University.

High levels of cancer have occurred near contaminated wells. Jennifer Hall-Massey points out the homes of six neighbors who died of brain tumors in Prenter, WV.

Former Massey contractor Ed Wiley and his 11-year old granddaughter Kayla Taylor petition Governor Joe “Friend of Coal” Manchin to build a new school away from a coal silo. Four teachers and a student from the school have died of cancer, Wiley says.

Water supplies for millions threatened

“Mountaintop coal mining is literally threatening the water supplies of tens of millions of people,” says Dr. Allen Hershkowitz, senior scientist for the National Resources Defense Council. Millions of people get their water from the headwaters of the Cumberland Plateau bioregion.

“Coal is mean. Coal’s cruel and it kills,” says Maria Gunnoe of Bob White, Coal River Watershed.

It’s all legal, says Bill Raney, President of the West Virginia Coal Association. When Massey Energy completes mining in an area, it returns the rubble to the mountain top and “reconstructs” it.

Mountain reclamation falls short

Mountaintop removal destroys original topsoil and forests, says Jack Spadaro, former superintendent of the National Mine Health & Safety Academy. Now piles of rock are covered by grass. That contributes to dangerous flooding, he says.

Gunnoe says her neighborhood floods “every time it rains.” Flooding regularly threatens communities throughout the Coal River Valley. Some families have lived in the region for 200 years or more, says Webb.

Job cutting stats

If coal mining is so good for the economy, asks Kennedy, “then why is West Virginia one of the poorest states in the nation?”

Over the last 30 years, the coal industry has increased production by 140% in West Virginia, while cutting 40,000 jobs, says Joe Lovett, senior attorney for Appalachian Mountain Advocates. Strip mining allows the industry to save on labor.

Kennedy is cheered and booed when he speaks at a protest rally at the state’s Department of Environmental Protection (DEP). Ecoactivists seem equally matched by employees of Massey Energy. Health and environmental issues are secondary to jobs, some believe.

Environmental protection upended

When The Clean Water Act was revised during the Bush administration, it legalized mountaintop removal for the first time.

“There are hundreds of thousands of violations of those permits by coal companies in this region every year,” says Lovett. “The state DEPs do nothing about them, or slap the companies on the wrist and actually protect them.”

Activist heroes

Climate Ground Zero activists from all over the country arrive to stop Massey from mining Coal River Mountain. They treesit for nine days before a blizzard forces them down. They are arrested.

“Non-violent civil disobedience does work,” says protestor Joshua Graupera. “It’s a beautiful thing to be strong enough to not get violent, to not get angry.” Mug shots of the protestors are shown.

“To me they’re heroes of American democracy,” says Kennedy. You’ll be moved by the activists’ willingness to risk their safety and serve prison time.

Coal use drives climate change

“The mother of all environmental problems is the climate change issue,” says Gus Speth, former Dean of the Yale School of Forestry & Environmental Studies. “It’s very real, it’s happening today, and at the core of the problem is coal.”

Top environmental scientists overwhelmingly agree that greenhouse gases hasten climate change. “Mining and burning coal is the number one source of greenhouse gases worldwide,” says Haney.

Blankenship speaks

Don Blankenship, CEO of Massey Energy, tells a television journalist that global warming is “absolutely not” related to coal mining, but that the climate is “changing naturally.”

Between 2000 and 2006, Massey Energy committed more than 60,000 environmental violations and paid relatively minimal fines. During his 18 years as CEO, Massey’s compensation topped $190 million.

“Legalized bribery”

The coal industry spent $86 million, and coal utilities spent $1 billion, on political donations and lobbying in the last decade, says Haney.

In turn, billions of U.S. tax dollars go to the coal industry every year. Tax credits are granted for “clean coal” technology research, for mining waste clean-up and complying with pollution laws.

Can coal be “clean”?

“The coal industry continues to operate old, dirty plants,” says Speth, because “regulations on the old plants are less demanding than they are for the new plants.”

The Kenaw River power plant, built in 1953, was never retrofitted with pollution controls. In 2008, it released over 40 million pounds of pollutants including mercury, arsenic and lead.

Wind energy championed

“We need green jobs! We need all the jobs we can get!” Lorelei Scarbro, a local activist, tells the DEP protest rally. She supports a sustainable wind farm for Coal River Mountain.

A feasibility study shows that Coal River Wind would create more long-term, safe jobs than the coal industry. The county would gain $1.75 million annually from wind farm tax revenue, compared to $36,000 a year from mountaintop coal removal, she says. Wind would power 70,000 homes, says Scarbro.

Kennedy argues that coal energy costs 23.1 cents per kilowatt hour if you include expenditures for air and groundwater pollution, healthcare in Appalachia, and climate change. The cost of wind electricity is 7.9 cents per kilowatt hour, he says.

Canada leads the way

The government of Ontario, Canada is moving to decommission all its coal-fired power plants by 2014. It is replacing these with renewable energy.

Action campagns

Haney’s film is both eloquent and stirring, a testament to activist involvement and change. To get involved, visit the The Last Mountain movie website or Coal River Mountain Watch.

Following criminal investigations, Massey Energy is now up for sale. Don Blankenship has retired.

Kennedy’s Waterkeeper Alliance has forced the U.S. Environmental Protection Agency to make deep cuts in pollution. Yet coal companies continue to apply for mountaintop removal permits.

“You’re connected to coal whether you realize it or not,” says Gunnoe. “Everybody’s connected to this and everybody’s causing it and everybody’s allowing it.” (5 out of 5 stars)

If you like The Last Mountain, you might enjoy:  Thrive.

 

The Last Mountain    2011  /  PG /  1 hour, 35 min

Cast Overview: Robert Kennedy, Jr., Maria Gunnoe, Bo Webb, Jennifer Hall-Massey, Bill Raney, Ed Wiley, Chuck Nelson

Director:  Bill Haney

Genre:  Documentary, Ecoactivism, Nature

Rooney Mara rocks The Girl with the Dragon Tattoo

Rooney Mara fights violence against women in The Girl with the Dragon Tattoo, David Fincher’s rousing remake of Niels Arden Oplev’s 2009 original.

Hacker meets disgraced journalist

Based on Stieg Larsson’s trilogy, the plot unfolds as 23-year-old Lisbeth Salander (Mara), a viciously abused ward of the state, is hired to hack into the background of journalist Mikael Blomqvist (Daniel Craig, quietly determined). Lisbeth senses Mikael is innocent of the libel charges against him.

Mikael is publicly disgraced when he loses the lawsuit filed by a corrupt businessman he exposed. He resigns as publisher of the Millenium magazine, only to receive an urgent call from the retired CEO of Vanger Industries.

Henrik Vanger (Christopher Plummer, heartbroken) hires Mikael to investigate the mysterious death of his grand-niece Harriet some 40 years earlier. Her killer torments Vanger by sending him a framed, pressed wild flower each year on his birthday, as Harriet used to do. Mikael seeks out Lisbeth to help him investigate.

Mara’s breakout role

You won’t forget Mara’s fierce intensity and pain. As feminist hero, Lisbeth survives on Happy Meals, brilliance and daring. She takes revenge on a social services guardian (Yorick van Wageningen) who rapes her, making a devil’s bargain for her independence.

Lisbeth’s harrowing life takes on added purpose when Mikael enlists her. “I want you to help me catch a killer of women,” he says. They begin to investigate a serial killer who has brutalized other women in the region with Old Testament zeal. Harriet’s body was never found. Lisbeth is hooked.

Mara also played Mark Zuckerberg’s girlfriend in Fincher’s The Social Network.

Remake rivals original

Fincher’s remake rivals the original. Still gritty, it stands out with beautiful cinema and smooth transitions. The sound is sleek and evocative. Trent Reznor and Atticus Ross composed the edgy score.

Cinematographer Jeff Cronenweth gives you a sweeping view of northern Sweden, frosty and bleak. There’s creeping dread as Mikael meets the feuding members of the Vanger clan, which includes Nazis, rapists and deviants.

Violence, beauty mingle

Many scenes are stunning. Lisbeth’s careening motorbike roars. Mikael confronts a suspect. A fiery explosion illuminates the night sky. Violent scenes, including two rapes and a torture sequence, are ugly and terrifying but less protracted than in the 2009 Swedish language film.

Ace actors add drama

Spot on performances include Stellan Skarsgard as nefarious Martin Vanger; Robin Wright as Erika, Mikael’s lover at Millenium, and Goran Visnjic as a social services exec who tries to protect Lisbeth.

Controversial affair

Fincher’s decision to include an affair between Lisbeth and Mikael has drawn criticism. The affair seems a device to tame Lisbeth, portraying her as a woman who wants to date a “nice man” after all. The goth, bisexual heroine is more complex than that.

In the original film, sexual tension between Lisbeth and Mikael is wisely left to simmer beneath the surface.

Fincher’s meditation

Fincher, who has practiced Transcendental Meditation for over 35 years, sets a calm, relentless tone. You get the feeling that good will triumph.

The Girl with the Dragon Tattoo remains true to the novel but doesn’t bog down in complexity, thanks to an excellent screenplay from Steven Zaillian (Schindler’s List).

Women transcend violence

The resolution of the mystery circles back to women escaping violence. It’s possible to forgive an find peace. Lisbeth still searches for love, but at least she has found a purpose. (4.5 out of 5 stars)

If you like The Girl with the Dragon Tattoo, you might enjoy:  The Girl with the Dragon Tattoo (2009).

 

The Girl with the Dragon Tattoo    2011  /  R  /  2 hours, 38 min

Cast Overview: Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joely Richardson, Geraldine James, Goran Visnjic, Donald Sumpter, Ulf Friburg

Director:  David Fincher

Genre:  Crime, Drama, Mystery, Thriller

The Descendants: George Clooney braves hell in paradise

Crisis breaks George Clooney’s heart open in The Descendants, a family movie where tragedy is touched by humor and grace. Alexander Payne directs.

Matt King, back-up parent

Hawaii’s no paradise for Matt King (Clooney), a real estate lawyer whose wife Liz (Patricia Hastie) lies in a coma after a waterskiing accident. “Hell, I haven’t been on a surfboard for 15 years,” he gripes.

Matt has been busy earning a living. He also serves as trustee of his family’s 25,000 pristine acres on Kauai’s South Shore.

Clooney is intelligent, vulnerable and charming as “the back-up parent, the understudy” who now must step up for his daughters.

Family, community and nature

Director Alexander Payne weaves the trouble in paradise theme into a personal journey that embraces family, community and the Earth. With satisfying plot twists, the story shows Matt, Alex and Scottie begin to live more from the heart, and less from the mind.

Alex (Shailene Woodley) is an angry 17-year-old who finds compassion. Scottie (Amara Miller) is a tender, volatile 10-year-old eager to grow up.

Transforming pain, loss

When Alex tells her dad that Liz was cheating on him, horror and disbelief are accompanied by upbeat ukulele music. He dons his flip-flops and runs to a neighbor’s house to find out “who my wife was … seeing.”

Elizabeth is never going to wake up, Matt learns. He must transform his own pain and sorrow, and guide his daughters through their impending loss. Sometimes falling flat as a parent, he perseveres. He genuinely loves his girls.

Matt confronts Brian

Urging extended family and friends to say goodbye to Liz, Matt hatches a plan. He and Alex track down Elizabeth’s lover, realtor Brian Speer (Matthew Lillard). They discover the unexpected. Matt confronts Brian.

Impressive growth for Clooney

Clooney’s fully dimensional character is wounded but spunky. He reveals your own foibles and makes you laugh at them.

The actor played a “termination specialist” in Up in the Air; a repentant assassin in The American, and an escaped con in O Brother, Where Art Thou?

Hawaiian treasure

Matt presides over motley relatives who vote to sell the family land. Hippie cousin Hugh (Beau Bridges) urges him on. Among the bidders are a ritzy condo chain and a Hawaiian developer. A local mother asks Matt not to move forward with the sale.

Hawaii is a land of natives and newcomers, of privilege and struggle. Matt’s ancestors were among the islands’ first white settlers. Surveying the family photos on his office wall, you realize that his actions reflect on all of them, including a Hawaiian princess by marriage.

NextGen spunk

Woodley (The Secret Life of the American Teenager) is memorable as rebellious Alex. Slowly she begins to accept her dad and take better care of herself. Nick Krause is engaging as Alex’s dude friend Sid. Matt must come to terms with Sid and see him as more than a loser. It’s one way he learns to grow as a father.

The excellent cast includes Judy Greer, heart-tugging as Brian’s wronged wife Julie. Robert Forster plays Elizabeth’s belligerent father.

Payne assembles great team

Payne last directed the film Sideways (2004). He’s also known for Citizen RuthElection and About Schmidt. His next project is a father-son drama Nebraska.

Payne, along with Nat Faxon and Jim Rash, wrote the first-rate script based on Kaui Hart Hemmings’ novel. Cinematography by Phedon Papamichael and editing by Kevin Tent marry drama and comedy. Voiceovers, so easy to overdo, are well executed by Clooney.

Family comes together

“My family seems exactly like an archipelago, always drifting apart,” Matt observes. By the end of The Descendants, Matt, Alex and Scottie achieve wholeness. (5 out of 5 stars)

If you like The Descendants, you might enjoy:  Win Win; Extremely Loud and Incredibly Close.

 

The Descendants    2011  /  R  /  1 hour, 55 min

Cast Overview:  George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel, Patricia Hastie 

Director:  Alexander Payne

Genre:  Dramedy, Drama, Family

Janie Jones: Abigail Breslin sings, uplifts band drama

Abigail Breslin stars and sings in the road indie Janie Jones. Breslin’s voice and fresh, unaffected performance add soul to this drama. David M. Rosenthal writes and directs.

Breslin impresses as unwanted kid

Breslin (Oscar nominated for her supporting role in Little Miss Sunshine) is remarkable as Janie, the 13-year-old no one wants.

Janie gets dropped off with her rock singer dad Ethan Brand (Alessandro Nivola) while her mom Mary Ann Jones (Elisabeth Shue), a former groupie, begins meth rehab. Ethan didn’t even know he had a daughter.

Dad and daughter grow closer

The sensitive chemistry between Breslin and Nivola (an accomplished musician who starred in Junebug) grows as Ethan’s career declines. He drinks heavily. The group begins to break up.

Ethan hears Janie playing and singing a folk-y ballad one day. Cautious at first, he warms to fatherhood.

Folk ballads shine

The duo sings well. Irish singer-songwriter Gemma Hayes wrote the songs performed by Breslin. One of the ballads, Fight For Me, has been released. Eef Barzelay of the band Clem Snide wrote Nivola’s tunes.

Ethan gets more responsible

The two develop camaraderie. “You look like sh-t,” she tells him. “You tell the truth, I like that,” he replies. Ethan decides to go solo. He invites Janie to join him on stage.

As Ethan takes more responsibility for his life, he slowly heals. When he acknowledges Janie as his daughter on stage, it’s a great film moment.

Band drama over the top

The band drama is a long cliché of swearing, drinking, drugs and one night stands. The first half is especially trite as the action lags. Finesse and originality were needed.

Ethan is arrested one night when he beats up an audience member flirting with Janie. His daughter hocks his guitar to bail him out. Ethan’s manager Sloan (Peter Stormare) remains a trusted friend even after he leaves the singer.

Janie Jones is Rosenthal’s semi-autobiographical story.

Ethan comes full circle

Finally Ethan must visit his mother Lily to ask for a loan. Frances Fisher is great as the Chicago socialite meeting her granddaughter for the first time.

Breslin, now 15, performs with a friend in the pop-rock/retro band CABB. (3 out of 5 stars)

If you like Janie Jones, you might enjoy:  Crazy Heart; Somewhere.

 

Janie Jones    2010  /  NR  /  1 hour, 46 min

Cast Overview: Abigail Breslin, Elisabeth Shue, Alessandro Nivola, Brittany Snow, Peter Stormare, Frank Whaley, Frances Fisher

Director:  David M. Rosenthal

Genre:  Indie, Drama, Music