Top 12 Family Films of 2011: becoming whole

Moviespirit presents the Top 12 Family Films of 2011. Family members can be your greatest teachers. Explore wholeness through family, friends and community in these outstanding films.

I define “family” as “the human family” across cultures, classes, countries and beliefs. These films will appeal to adults, mature teens and pre-teens.

Rising from the ashes

The Descendants. George Clooney stars as Matt King, a real estate lawyer in Hawaii whose wife Liz lies in a coma after a waterskiing accident. Matt must transform his own pain and sorrow as he guides his daughters through impending loss. Shailene Woodley plays rebellious Alex. Amara Miller stars as tender Scottie. The family learns to live more from the heart and less from the mind in Alexander Payne’s sensitive drama about honor and letting go.

Everything Must Go. Nick Halsey (Will Ferrell) is having a very bad day. He’s been fired. His wife dumps him.  He’s marooned on his own front yard. Nick is forced to face his alcoholism and take stock of his life in this deadpan comedy. A smart, enterprising neighborhood kid who lost his dad shows up. Kenny (Christopher Jordan Wallace) cares about his neighbor, and helps Nick care about others again. Nick and Kenny help each other rise above despair. Laura Dern also appears. Dan Rush writes and directs.

The Way. Martin Sheen and Emilio Estevez travel the Way of St. James (Camino de Santiago) from France to Spain in this sensitive drama about men’s hearts. Sheen’s son Estevez directs and appears as a ghostly muse. The most powerful movie is sometimes the simplest. Sheen’s deep, rousing performance and Estevez’s minimalist, mood-centered direction fill The Way with meaning. Cinematographer Juanmi Azpiroz captures inner and outer adventures along the breathtaking pilgrimage route. Tom Avery (Sheen) loses his son Daniel (Estevez) in a freak accident in the Pyrenees. He begins to retrace Daniel’s steps, intending to complete the journey. Deborah Kara Unger, Yorick van Wageningen and James Nesbitt also star.

Sports and character

Moneyball tells the true story of sports rebel and Oakland Athletics general manager Billy Beane. Brad Pitt brings Beane to life in this exciting drama about professional baseball, valuing others and bold change. Fast-talking Beane uses saber metrics to recruit a winning team on a tiny budget. The fantastic script was penned by Oscar winners Steven Zaillian (Schindler’s List) and Aaron Sorkin (The Social Network). Jonah Hill co-stars as economics whiz kid Peter Brand. After 11 losses, the team sets a major league record during the 2002 season. Actual game footage from the A’s 20-game win streak adds excitement. Bennett Miller (Capote, Doubt) directs.

Win Win. Paul Giamatti is tremendous as Mike Flaherty, a storefront lawyer and sports coach who learns about honesty from a teen wrestling prodigy. Alex Shaffer plays Kyle, a deadpan runaway with a mom in drug rehab. Mike shows a great capacity to care for a kid in need even though he’s cash-strapped. Kyle demands a higher level of integrity from Mike. Shaffer was a high school champion wrestler in New Jersey. Amy Ryan, Bobby Cannavale and Burt Young also star. Director Tom McCarthy (The Station Agent; The Visitor) evokes characters you will care about.

Families in time

Hugo. Martin Scorsese’s first children’s fantasy is a tribute to the cinema. Asa Butterfield stars as an orphan who lives above a Paris train station in the 1930s. A Station Inspector (Sacha Baron Cohen) chases the 12-year-old who lifts croissants and toys. Ben Kingsley is masterful as brooding, heartbroken Pappa Georges. Chloe Grace Moretz is engaging as Isabelle. Impeccable cinematography by Robert Richardson and fabulous sets from Dante Ferretti create an intricate world of wonder. You’ll see the Lumiere Brothers’ 1895 short The Arrival of a Train at La Ciotat Station and Georges Melies’ 1902 classic A Trip to the Moon. The making of these movies is reenacted. You’ll feel deep appreciation for early films and filmmakers.

Incendies. A daughter investigates her mother’s life and her own roots. Denis Villeneuve writes and directs this suspenseful family drama. Jeanne (Melissa Desoreaux-Poulin) travels to the Middle East to solve mysteries about her mother Nawal (Lubna Azabal, incredible). Politics, religion, identity and passion are explored. Best Movie Quote: “Death is never the end of the story. There are always details.”

The Tree of Life. When her son dies at war, Mrs. O’Brien (Jessica Chastain) asks why. Director Terrence Malick answers with a return to the beginning of time. Galaxies and the Earth form. A couple meets. A child is born. Hundreds of beautifully composed images shape a quiet, elegant whole. Upheavals take on a stately grace. Sparse dialogue and interior monologues become poetry. Brad Pitt impresses as strict, troubled Mr. O’Brien. Jack is played as a youth by Hunter McCracken, and later by Sean Penn.

Take Shelter is a fever dream of a thriller. It dwells on anxiety and hope, prophecy and mental illness. Jeff Nichols directs. Michael Shannon brilliantly plays sensitive everyman Curtis LaForche. Gangly, enigmatic and tortured, Curtis is plagued by hallucinations and nightmares. In an age of uncertainty, his dark night of the soul feels universal. Suspenseful from start to finish, Take Shelter portends the end. It sweeps you away with dread and faith. Jessica Chastain stars as Curtis’ wife Samantha. Tova Stewart is sweetly perceptive as their hearing impaired daughter Hannah.

Love your neighbor

In a Better World. Danish filmmaker Susanne Bier explores violence, courage and responsibility in this Oscar and Golden Globe winner. Anton (Mikael Persbrandt) is a surgeon working far from home in a Kenyan field hospital. When his 10-year-old son Elias (Markus Rygaard) is bullied at school, he steps in as a peacemaker. Seeking his wife’s forgiveness after an affair, Anton lives in a state of love and surrender. His humility, gentleness and willingness to look like a fool are unique. Trine Dyrholm, Ulrich Thomsen and William Johnk Nielsen also star.

Unique families

Beginners. He may be late for the party, but Hal celebrates like it’s 1955. Christopher Plummer’s Golden Globe winning performance reveals a man who married for love while hiding his sexual orientation. After his wife dies, Hal comes out to his adult son Oliver (Ewan McGregor), a romantic idealist. Parallel love stories unfold. Melanie Laurent stars as Oliver’s new sweetheart Anna. Goran Visnjic plays Hal’s lover Andy. Beginners is masterfully directed and written by Mike Mills, whose own father came out late in life. Art and whimsy add delight. Oliver sketches the many faces of sadness as he converses with his dog Arthur. McGregor brings a sensitive, vulnerable and thoughtful quality.

Terri. John C. Reilly and Jacob Wysocki give standout performances in the best coming-of-age dramedy of the year. Azazel Jacobs directs. Mr. Fitzgerald (Reilly), a vice principal, begins to counsel Terri, a huge oddball with a confused, hungry heart. Reilly’s straightforward, unforgettable character walks his talk. Mr. Fitzgerald doesn’t pretend to have it all together, but helping troubled kids is his life calling. Jacobs captures strange beauty as Terri hangs out with two outcast friends. Creed Bratton also stars.

You might also enjoy: Top 25 Films that Change Us 2011Top 10 Thrillers of 2011.

Top 25 Films that Change Us 2011 reflect a new world

Moviespirit presents the Top 25 Films that Change Us 2011. Each one can open your heart and change your mind in unique, subtle ways.

Films represent a powerful medium for learning about yourself and others. Most of us have access to great movies, making them a very democratic art form, a “dance of light” for our time. Found within are compassion, authenticity and integrity. High quality and technical excellence are demonstrated.

Families, nature and culture

Cave of Forgotten Dreams. New wave German filmmaker Werner Herzog reveals a protocinema of Paleolithic drawings in this unprecedented filming of Chauvet Cave in southern France. Herzog believes that the ancients held their torches aloft and danced, their shadows moving with the animal drawings in an ancient cinema. Here Earth’s earliest known drawings, about 32,000 years old, were discovered in 1994. Cinematographer Peter Zeitlinger’s exquisite 3-D images show horses gallop, and now-extinct cave bears and cave lions stalk. Woolly mammoths and spotted panthers prowl undulating walls glittering with calcite. Herzog’s offbeat narration and signature metaphysical musings keep the film lively.

The Tree of Life. When her son dies at war, Mrs. O’Brien (Jessica Chastain) asks why. Director Terrence Malick answers with a return to the beginning of time. Galaxies and the Earth form. A couple meets. A child is born. Hundreds of beautifully composed images shape a quiet, elegant whole. Upheavals take on a stately grace. Sparse dialogue and interior monologues become poetry. Brad Pitt impresses as strict, troubled Mr. O’Brien. Jack is played as a youth by Hunter McCracken, and later by Sean Penn.

The Descendants. George Clooney stars as Matt King, a real estate lawyer in Hawaii whose wife Liz lies in a coma after a waterskiing accident. Matt must transform his own pain and sorrow as he guides his daughters through impending loss. Shailene Woodley plays rebellious Alex. Amara Miller stars as tender Scottie. The family learns to live more from the heart and less from the mind in Alexander Payne’s sensitive drama about honor and letting go.

The Way. Martin Sheen and Emilio Estevez travel the Way of St. James (Camino de Santiago) from France to Spain in this sensitive drama about men’s hearts. Sheen’s son Estevez directs and appears as a ghostly muse. The most powerful movie is sometimes the simplest. Sheen’s deep, rousing performance and Estevez’s minimalist, mood-centered direction fill The Way with meaning. Cinematographer Juanmi Azpiroz captures inner and outer adventures along the breathtaking pilgrimage route. Tom Avery (Sheen) loses his son Daniel (Estevez) in a freak accident in the Pyrenees. He begins to retrace Daniel’s steps, intending to complete the journey. Deborah Kara Unger, Yorick van Wageningen and James Nesbitt also star.

Tough love

Everything Must Go. Nick Halsey (Will Ferrell) is having a very bad day. He’s been fired. His wife dumps him.  He’s marooned on his own front yard. Nick is forced to face his alcoholism and take stock of his life in this deadpan comedy. A smart, enterprising neighborhood kid who lost his dad shows up. Kenny (Christopher Jordan Wallace) cares about his neighbor, and helps Nick care about others again. Nick and Kenny help each other rise above despair. Laura Dern also appears. Dan Rush writes and directs.

Moneyball tells the true story of sports rebel and Oakland Athletics general manager Billy Beane. Brad Pitt brings Beane to life in this exciting drama about professional baseball, valuing others and bold change. Fast-talking Beane uses saber metrics to recruit a winning team on a tiny budget. The fantastic script was penned by Oscar winners Steven Zaillian (Schindler’s List) and Aaron Sorkin (The Social Network). Jonah Hill co-stars as economics whiz kid Peter Brand. After 11 losses, the team sets a major league record during the 2002 season. Actual game footage from the A’s 20-game win streak adds excitement. Bennett Miller (Capote, Doubt) directs.

Terri. John C. Reilly and Jacob Wysocki give standout performances in the best coming-of-age dramedy of the year. Azazel Jacobs directs. Mr. Fitzgerald (Reilly), a vice principal, begins to counsel Terri, a huge oddball with a confused, hungry heart. Reilly’s straightforward, unforgettable character walks his talk. Mr. Fitzgerald doesn’t pretend to have it all together, but helping troubled kids is his life calling. Jacobs captures strange beauty as Terri hangs out with two outcast friends. Creed Bratton also stars.

 

 

Truth and romance

Another Earth. What if we could start over, erase our most painful mistakes and move forward? Brit Marling stars in this moving indie. Rhoda Williams (Marling) has just won a scholarship to MIT’s astrophysics program. Partying herself into a stupor, she decides to drive home. Another Earth blends science fiction, art and emotional truth. It’s stark and understated, a contemplation of regret and human possibility. William Mapother and Marling are remarkable alone and together. The characters don’t interact so much as they revolve around each other. There’s a sense of vast eternity, a lonely hum. Director Mike Cahill co-wrote the mesmerizing, imaginative script with Marling, drawing upon the theoretical physics of parallel worlds. Cahill’s feature debut won the Alfred P. Sloan Feature Film Prize and a Special Jury Prize at Sundance 2011.

Beginners. He may be late for the party, but Hal celebrates like it’s 1955. Christopher Plummer’s Golden Globe winning performance reveals a man who married for love while hiding his sexual orientation. After his wife dies, Hal comes out to his adult son Oliver (Ewan McGregor), a romantic idealist. Parallel love stories unfold. Melanie Laurent stars as Oliver’s new sweetheart Anna. Goran Visnjic plays Hal’s lover Andy. Beginners is masterfully directed and written by Mike Mills, whose own father came out late in life. Art and whimsy add delight. Oliver sketches the many faces of sadness as he converses with his dog Arthur. McGregor brings a sensitive, vulnerable and thoughtful quality.

Missing Pieces. The most intriguing indie of the year from director-to-watch Kenton Bartlett explores longing and true love. Mark Boone Junior stars as David Lindale. Recovering from a head injury and the loss of his girlfriend Delia (Melora Walters), David’s obsession takes a disturbing turn. Richly imagined with deep compassion, this psychological drama also stars Taylor Engel and Daniel Hassel as a virtual couple. Stark and oddly hopeful, Missing Pieces listens to the ancient cry of the heart with contemporary verve. Jonathan Arturo’s artistic cinematography is notable.

Midnight in Paris. A charming, erudite frolic through Paris and the heart of an idealistic Hollywood screenwriter, Midnight in Paris lightheartedly explores past and present. Woody Allen’s newest film savors life and literature in the City of Light. It’s Allen at his searching, sarcastic best. Owen Wilson plays Gil Pender, a shambling, successful screenwriter who daydreams about fleeing Malibu, moving to Paris and finishing his novel. Rachel McAdams protests as his gold digger fiancée Inez.

 

Movies as art

The Artist. Even if you aren’t a fan of black and white films, The Artist likely will enchant you. Jean Dujardin smolders as prideful George Valentin, and Berenice Bejo shines as Peppy Miller, all spark and warmth. They are stars of the silent film era. George soon falls for Peppy, the newcomer he discovered. Acting then was pantomime and passion, a larger-than-life tribute to everyman and woman. Michel Hazanavicius writes and directs this film which swept the Academy Awards and Golden Globes. The Artist is mostly silent but filled with music, dance and superb acting. John Goodman and Uggie the dog also star.

Hugo. Martin Scorsese’s first children’s fantasy is a tribute to the cinema. Asa Butterfield stars as an orphan who lives above a Paris train station in the 1930s. A Station Inspector (Sacha Baron Cohen) chases the 12-year-old who lifts croissants and toys. Ben Kingsley is masterful as brooding, heartbroken Pappa Georges. Chloe Grace Moretz is engaging as Isabelle. Impeccable cinematography by Robert Richardson and fabulous sets from Dante Ferretti create an intricate world of wonder. You’ll see the Lumiere Brothers’ 1895 short The Arrival of a Train at La Ciotat Station and Georges Melies’ 1902 classic A Trip to the Moon. The making of these movies is reenacted. It’s a deep appreciation for early films and filmmakers.

Existential dread

Martha Marcy May Marlene. Elizabeth Olsen bursts into stardom in writer-director Sean Durkin’s astounding feature debut. Olsen’s dynamic, restrained performance is striking as Martha struggles to reclaim herself after escaping from a cult in upstate New York. Place and time blur as she relives her old life. Cult leader Patrick (John Hawkes) requires psychic surrender and bizarre acts. This indie psychological thriller disturbed and fascinated me as much as The Exorcist. Silkwood-like ending is deeply unsettling.

Melancholia. Lars von Trier casts a spell over you in this visual masterpiece about apocalypse and humanity. Kirsten Dunst stars as a Justine, a runaway bride. Plagued by depression, Justine confronts her gentle groom (Alexander Skarsgard), her man-hating mother (Charlotte Rampling) and her pound-of-flesh boss (Stellan Skarsgard). It’s a landscape of inner devastation made manifest. Melancholia joins a flurry of “end times” films. Unlike The Tree of Lifeit focuses on destruction. The writer-director examines our shortcomings and how we face death. This is a masterful, artistic interpretation of von Trier’s own battle with depression. You might see him as cynical. Then again, simply making a film is an act of faith.

Take Shelter is a fever dream of a thriller. It dwells on anxiety and hope, prophecy and mental illness. Jeff Nichols directs. Michael Shannon brilliantly plays sensitive everyman Curtis LaForche. Gangly, enigmatic and tortured, Curtis is plagued by hallucinations and nightmares. In an age of uncertainty, his dark night of the soul feels universal. Suspenseful from start to finish, Take Shelter portends the end. It sweeps you away with dread and faith. Jessica Chastain stars as Curtis’ wife Samantha. Tova Stewart is sweetly perceptive as their hearing impaired daughter Hannah.

Danger and redemption

The Debt. A team of young Israeli Massad agents captures the surgeon of Birkenau, but hides a dark secret. Helen Mirren and Jessica Chastain star in John Madden’s classy and exciting exploration of truth and honor. Non-stop suspense and an all-star cast distinguish this smart thriller. Romance and regret sharpen intrigue. Atonement is impossible in The Debt’s bloody conclusion, with a character who can’t forgive herself. Sam Worthington, Marton Csokas, Tom Wilkinson and Ciaran Hinds also star.

The Girl with the Dragon Tattoo. David Fincher’s classy remake of the 2009 Swedish-language thriller stars Rooney Mara as Lisbeth Salander, an abused heroine. Mikael Blomqvist (Daniel Craig) and Lisbeth track a serial killer implicated in the murder of Harriet Vanger 40 years ago. This is Mara’s breakout role as a fierce, determined computer hacker and survivor. Violent scenes, and a family of nefarious suspects, add grit. Jeff Cronenweth’s extraordinary cinematography highlights the play of good and evil. When the mystery is solved, a way to transcend violence is revealed.

Incendies. A daughter investigates her mother’s life and her own roots. Denis Villeneuve writes and directs this suspenseful family drama. Jeanne (Melissa Desoreaux-Poulin) travels to the Middle East to solve mysteries about her mother Nawal (Lubna Azabal, incredible). Politics, religion, identity and passion are explored. Best Movie Quote: “Death is never the end of the story. There are always details.”

Teachable moments

In a Better World. Danish filmmaker Susanne Bier explores violence, courage and responsibility in this Oscar and Golden Globe winner. Anton (Mikael Persbrandt) is a surgeon working far from home in a Kenyan field hospital. When his 10-year-old son Elias (Markus Rygaard) is bullied at school, he steps in as a peacemaker. Seeking his wife’s forgiveness after an affair, Anton lives in a state of love and surrender. His humility, gentleness and willingness to look like a fool are unique. Trine Dyrholm, Ulrich Thomsen and William Johnk Nielsen also star.

Win Win. Paul Giamatti is tremendous as Mike Flaherty, a storefront lawyer and sports coach who learns about honesty from a teen wrestling prodigy. Alex Shaffer plays Kyle, a deadpan runaway with a mom in drug rehab. Mike shows a great capacity to care for a kid in need even though he’s cash-strapped. Kyle demands a higher level of integrity from Mike. Shaffer was a high school champion wrestler in New Jersey. Amy Ryan, Bobby Cannavale and Burt Young also star. Director Tom McCarthy (The Station Agent; The Visitor) develops characters you will care about.

A new world

Happy. Roko Belic shows you how to find deep and lasting joy in this globe-trotting documentary. Belic travels to 14 countries to meet positive, optimistic individuals both rich and poor. He interviews “Dr. Happiness” Ed Diener, a scholar of happiness for over 35 years, and Richard Davidson, a neuroscientist at the University of Wisconsin-Madison who studies meditation’s effects. Sharing insights from psychology, neuroscience and multicultural wisdom, Happy finds that community and family are key. Once basic human needs are met, researchers say, $50K and $5 million look very much the same to our brains. Adversity can even kick start happiness, giving you the biochemical contrast needed to create new, better realities.

Everyone can Thrive, according to a leading edge documentary from visionary Foster Gamble. Steve Gagne directs. A wake-up call with a plan, Thrive casts world crisis as an evolutionary turning point. Daring to follow the money, Gamble analyzes underlying causes of scarcity and suffering worldwide. Free energy, abundant food and prosperity for all are within reach, experts say. The Thrive Movement website includes detailed information and ways to participate. Among those interviewed are Nassim Haramein, cosmologist and inventor, and Paul Hawken, environmentalist and entrepreneur. A masterpiece of impeccable research and heart, Thrive is among the most important documentaries ever made.

Miss Representation. Women speak out as the mainstream media trivializes and sexualizes women for profit. This disturbing eye-opener from Jennifer Siebel Newsom was featured at Sundance 2011. In-depth interviews and images from print, television, the internet, rock, rap and hip hop videos abound. Miss Representation is among the most important documentaries ever made. It reveals a rising tide of female leaders, and the tremendous integrity and wisdom that women offer society. Many scholars and activists speak, including Jennifer Pozner, Geena Davis and Rosario Dawson.

Compassion

Of Gods and Men. Trappist monks serving in the Algerian highlands face death in this stirring drama based on true events. As violence spreads, the government orders the monks to leave the country. Devoted to the impoverished locals, they debate whether to flee. Like Jesus, they live simple lives of prayer and service. Christian and Islamic people can coexist, they believe. Xavier Beauvois directs this winner of the Cannes Grand Jury Prize, and a Cesar Award for Best Film. Lambert Wilson and Michael Lonsdale star.

You might also enjoy: Top 12 Family Films of 2011; Top 10 Thrillers  of 2011.

The Descendants: George Clooney braves hell in paradise

Crisis breaks George Clooney’s heart open in The Descendants, a family movie where tragedy is touched by humor and grace. Alexander Payne directs.

Matt King, back-up parent

Hawaii’s no paradise for Matt King (Clooney), a real estate lawyer whose wife Liz (Patricia Hastie) lies in a coma after a waterskiing accident. “Hell, I haven’t been on a surfboard for 15 years,” he gripes.

Matt has been busy earning a living. He also serves as trustee of his family’s 25,000 pristine acres on Kauai’s South Shore.

Clooney is intelligent, vulnerable and charming as “the back-up parent, the understudy” who now must step up for his daughters.

Family, community and nature

Director Alexander Payne weaves the trouble in paradise theme into a personal journey that embraces family, community and the Earth. With satisfying plot twists, the story shows Matt, Alex and Scottie begin to live more from the heart, and less from the mind.

Alex (Shailene Woodley) is an angry 17-year-old who finds compassion. Scottie (Amara Miller) is a tender, volatile 10-year-old eager to grow up.

Transforming pain, loss

When Alex tells her dad that Liz was cheating on him, horror and disbelief are accompanied by upbeat ukulele music. He dons his flip-flops and runs to a neighbor’s house to find out “who my wife was … seeing.”

Elizabeth is never going to wake up, Matt learns. He must transform his own pain and sorrow, and guide his daughters through their impending loss. Sometimes falling flat as a parent, he perseveres. He genuinely loves his girls.

Matt confronts Brian

Urging extended family and friends to say goodbye to Liz, Matt hatches a plan. He and Alex track down Elizabeth’s lover, realtor Brian Speer (Matthew Lillard). They discover the unexpected. Matt confronts Brian.

Impressive growth for Clooney

Clooney’s fully dimensional character is wounded but spunky. He reveals your own foibles and makes you laugh at them.

The actor played a “termination specialist” in Up in the Air; a repentant assassin in The American, and an escaped con in O Brother, Where Art Thou?

Hawaiian treasure

Matt presides over motley relatives who vote to sell the family land. Hippie cousin Hugh (Beau Bridges) urges him on. Among the bidders are a ritzy condo chain and a Hawaiian developer. A local mother asks Matt not to move forward with the sale.

Hawaii is a land of natives and newcomers, of privilege and struggle. Matt’s ancestors were among the islands’ first white settlers. Surveying the family photos on his office wall, you realize that his actions reflect on all of them, including a Hawaiian princess by marriage.

NextGen spunk

Woodley (The Secret Life of the American Teenager) is memorable as rebellious Alex. Slowly she begins to accept her dad and take better care of herself. Nick Krause is engaging as Alex’s dude friend Sid. Matt must come to terms with Sid and see him as more than a loser. It’s one way he learns to grow as a father.

The excellent cast includes Judy Greer, heart-tugging as Brian’s wronged wife Julie. Robert Forster plays Elizabeth’s belligerent father.

Payne assembles great team

Payne last directed the film Sideways (2004). He’s also known for Citizen RuthElection and About Schmidt. His next project is a father-son drama Nebraska.

Payne, along with Nat Faxon and Jim Rash, wrote the first-rate script based on Kaui Hart Hemmings’ novel. Cinematography by Phedon Papamichael and editing by Kevin Tent marry drama and comedy. Voiceovers, so easy to overdo, are well executed by Clooney.

Family comes together

“My family seems exactly like an archipelago, always drifting apart,” Matt observes. By the end of The Descendants, Matt, Alex and Scottie achieve wholeness. (5 out of 5 stars)

If you like The Descendants, you might enjoy:  Win Win; Extremely Loud and Incredibly Close.

 

The Descendants    2011  /  R  /  1 hour, 55 min

Cast Overview:  George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel, Patricia Hastie 

Director:  Alexander Payne

Genre:  Dramedy, Drama, Family

Ides of March: George Clooney runs for president

George Clooney directs an all-star cast and stars in The Ides of March, a political corruption drama that’s been eclipsed by Occupy Wall Street and worldwide activism.

Old-style politics obsolete?

As history speeds up, this film about seeking political office feels dated.

Clooney (Good Night, and Good Luck.Confessions of a Dangerous Mind) loves exploring politics on film. Directing his fourth movie, he evokes deep, honest portrayals of political personalities.

Gosling as idealist

Ryan Gosling is ambitious idealist Stephen Myers, press secretary and strategist for the presidential campaign of Gov. Mike Morris (Clooney). “I’ll do or say anything if I believe in it,” Myers says.

Meanwhile real-life activists call for fundamental social change and a democracy that serve the people. Myers’ allegiance to one politician who will save us seems naïve.

Cut-throat campaigners

Philip Seymour Hoffman is dead on as Paul Zara, Morris’ shrewd campaign chief. Paul Giamatti plays Tom Duffy, the opposing campaign’s strategist who tries to steal Myers. Giamatti is excellent as a hack who’s risen to the national level by playing dirty while managing to stay likeable.

Money vs. ideals

Morris seems to be progressive (Clooney is a Democrat), but the film barely mentions political parties. The choice to ignore money in politics takes the story out of context. The Ides of March becomes more emotional exploration than political story. 

Clooney is strong, sure and stoic. Morris is the complete package, a “perfect leader” backed by hidden powers and influencers.

The candidate deflects a question about religion, declaring his allegiance to the Constitution. Behind the scenes, he is fallible and forced to compromise his principles.

Jaded journalist follows horse race

In one of her best roles, Marisa Tomei plays Ida Horowicz, a New York Times reporter. Ida believes so strongly in the system and “the way things are” that she covers nothing but the horse race.

Horowicz has completely lost touch with the issues and with voters. She reports instead on behind-the-scenes campaign maneuvers. Tomei’s portrait of a burned out, obsolete journalist is devastating.

In this game there are only foes and allies who can further your interests. Horowicz and Myers joust over their “friendship” with a satisfying turnabout in the end.

Same old scandals

Evan Rachel Wood plays Molly Stearns, daughter of the head of the Democratic National Committee. As a campaign intern, her sexcapades reveal a stunning lack of self-esteem.

Senator Thompson (Jeffrey Wright as petulant power-broker) threatens to withhold his Ohio delegates unless he’s promised the Secretary of State spot in a Morris administration. Jennifer Ehle (always moving) briefly appears as Morris’ loyal wife.

See it for the acting

The larger-than-life cast is intense. Still, The Ides of March is no Michael Clayton.

There are no real surprises. Public officials are corrupt. They’re compromised by special interests. The pressure of running for public office is overwhelming.

The screenplay is solid, but lacks originality. There is good a plot twist as Myers is indelibly changed by what he sees. Still the movie needs more oomph.

The script is based on Beau Willimon’s play Farragut North (2008). Clooney, his frequent collaborator Grant Heslov and Willimon wrote the screenplay.

Democracy needs reclaiming

Horowicz’s words are prophetic: “Mike Morris is a politician. He’s a nice guy. They’re all nice guys. He will let you down sooner or later.”

How will citizens take back their democracy? Real life will tell. (3.5 out of 5 stars)

If you like The Ides of March, you might enjoy:  The American; Up in the Air.

 

The Ides of March    2011  /  R  /  1 hour, 41 min

Cast Overview:  Ryan Gosling, George Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Jeffrey Wright, Evan Rachel Wood, Max Minghella, Jennifer Ehle, Michael Mantell, Gregory Itzin 

Director:  George Clooney

Genre:  Drama, Political Drama

Men Who Stare at Goats: Heslov romps through parapsychology

In Grant Heslov’s screwball comedy The Men Who Stare at Goats, acting is the saving grace. Fans of George Clooney, Jeff Bridges, Kevin Spacey and Ewan McGregor, take note.

Spoofing the army, war and new age ideas

The spoof’s helter skelter script and direction will leave you puzzled. Add psychic powers and LSD to the mix for even more confusion.

In his directorial debut, Heslov satirizes the U.S. Army, war and new age ideas.

You’ll laugh out loud

There are many laugh aloud moments. Bridges plays Bill Django, a Vietnam veteran turned hippie. After being shot in battle, Django returns home and establishes the New Earth Army, a secret paranormal unit.

In a hilarious sequence, Bridges soaks nude with his hot tub buddies, free dances and receives colon hydrotherapy.

Django trains soldiers to develop their psychic powers in order to overcome the enemy. In flashbacks we see a mop-haired Clooney as Django’s star pupil, and Spacey as envious rival.

Bridges takes risks

“I like movies that are surprising,” Bridges told NCM Firstlook Online. He considers Heslov to be a filmmaker “with fresh ideas.”

Clooney melds drama, humor and inner growth as Lyn Cassady, a warrior monk who’s just been reactivated. Cassady seeks to make amends because he misused his powers once to destroy a goat.

Clooney’s recent comedy offerings include O Brother, Where Art Thou? and Up in the Air.

Spacey as dark wizard

Spacey is marvelous as Larry Hooper, a dark wizard who owns a lucrative psy ops company. His only ideal is profit. Similar roles for Spacey include Lester Burnham in American Beauty and Lex Luthor in Superman Returns.

McGregor as journalist Bob Wilton delivers frequent, distracting voiceovers. Still he gives his comic best, especially during a trek through the Iraqi desert with the zany Cassady.

Parapsychology used by military?

“More of this is true than you would believe” is the film’s opening line. According to published reports, the Defense Intelligence Agency and the National Security Agency study parapsychology.

The Men Who Stare at Goats may disappoint you. Don’t expect it to make much sense. (3 out of 5 stars)

The Men Who Stare at Goats   2009 / R / 1 hr, 33 min

Cast Overview: George Clooney, Jeff Bridges, Ewan McGregor, Kevin Spacey, Robert Patrick, Stephen Lang, Stephen Root

Director: Grant Heslov

Genres: Comedy, Screwball Comedy

Up in the Air: Clooney dances with uncertainty, turns genuine

“Be yourself, dare to be up in the air”  is the message in Jason Reitman’s romantic drama Up in the Air. Best Actor nominee George Clooney is the suave, smart and lonely Ryan Bingham, a “termination specialist” who delivers peppy sweet-talk about new opportunities and generous severance packages.

Ryan on the run

Ryan himself loves nothing more than to let go. With no home of his own, his frequent travels relieve him of the pain and baggage of human relationships. Ryan’s new connection with another frequent flyer Alex (Vera Farmiga in a butt-kicking performance that earned her a Best Supporting Actress nomination) may change his views.

When an inexperienced but talented recent grad Natalie (Anna Kendrick, another Oscar nominee) suggests a cost-saving scheme, Ryan’s jet set way of life is threatened. He then brings Natalie into the field so she can terminate dedicated, hard-working people face-to-face.

America revisited

Here Clooney becomes Yoda, an existential road philosopher observing America: its economy, technology, human connections and eternal search for the male and female soul. Alex and Natalie both teach Ryan about relationships, each in her own way. Jason Bateman is Ryan’s high-strung boss.  Danny McBride is raw and honest as Ryan’s future brother-in-law.

Great character development happens between Kendrick and Clooney during their road trip, and later between Farmiga and Clooney as they attend the wedding of Ryan’s sister.  Snappy dialogue and great comedic timing are evident throughout.

Power in uncertainty

Up in the Air reveals uncertainty and not knowing as a place of power. The closing credits feature real, displaced workers accompanied by the title song lyrics. (5 out of 5 stars)

If you like Up in the Air, you might enjoy:  The Descendants; The American; Ides of March.

Up in the Air  2009  /  R  /  1 hr, 49 min

Cast Overview: George Clooney, Vera Farmiga, Anna Kendrick, Jason Bateman, Melanie Lynskey, Danny R. McBride, Amy Morton, J.K. Simmons

Director: Jason Reitman

Genres: Drama, Romantic Drama, Romantic Comedy

The American: Clooney’s change of heart

The American

George Clooney is The American, an assassin on a mission in Italy. With the intensity of Jason Bourne, he delivers an artful, exacting performance.

Clooney’s range expands

Although The American is a fascinating addition to Clooney’s work, don’t expect the dark humor he’s known for in The Men Who Stare at Goats or O Brother, Where Art Thou? He’s dashing but dead serious. There’s no Daniel Ocean here.

The American is an arty film adapted from Martin Booth’s novel A Very Private Gentleman. Its scenes and close-ups are beautifully composed, like paintings. Cinematographer Martin Ruhe venerates the beauty and culture of Italy even as Jack (aka Edward Butterfly) carries out his dirty, murderous mission.

Butterfly’s preparation is anything but dirty. Over a month he builds a gun and silencer with Zen-like discipline and concentration. With very little dialogue, Clooney keeps viewers fascinated with fastidious rituals (push-ups, chin-ups and daily coffee at a café).

Godfather’s wife returns

Violante Placido (the daughter of Simoneta Stefanelli, who played Al Pacino’s Sicilian wife inThe Godfather), delivers a classy performance as Clara, a prostitute who becomes Edward’s love interest. Placido is filled with energy and a refreshing zest for life. Her bedroom scenes with Clooney arouse and thrill. Yet the uneasy feeling that Butterfly can trust no one persists.

Finally The American is about the meaning of one man’s life. Paolo Bonacelli as Father Benedetto is the catalyst who gets Edward thinking about what he does and why he does it. When Edward calls his boss Pavel (Johan Leysen) to announce that this is going to be his last mission, it comes as no surprise.

An assassin redeemed

The American will appeal to seekers of a deep, thoughtful experience. It is a meditative character study that some – but not all – Clooney fans will enjoy. There is a quiet elegance to this film. Dutch director Anton Corbijn crafted it with great attention to detail.

The American has not won widespread critical acclaim. Yet it is the kind of film that a film superstar like George Clooney can choose to make. (4 out of 5 stars)

If you like The American, you might enjoy:  The Ghost Writer.

The American 2010 / R / 1 hour, 45 min

Cast Overview: George Clooney, Thekla Reuten, Paolo Bonacelli, Violante Placido, Johan Leysen

Director: Anton Corbijn

Genres: Action, Adventure