The Big Year: Martin, Black, Wilson hunt birder bliss

The Big Year is a quirky comedy about true success. Steve MartinJack Black and Owen Wilson star as three oddballs who follow bliss, value freedom and appreciate nature.

Reflective and gently funny

The competitive birders postpone their everyday lives to chase birds and status. Nature and animal lovers will enjoy dozens of “aha!” moments in this film from David Frankel (The Devil Wears Prada).

Seen for a just a few seconds each, dozens of birds – many rare and unusual – make cameo appearances.

In one stunningly beautiful scene, a pair of American Eagles plummets in a sky-high, dramatic mating ritual. Birders nationwide are hailing this film for featuring the quietly thrilling sport and pastime.

Chasing true success

You could say that Stu Preissler (Martin), Brad Harris (Black) and Kenny Bostick (Wilson) are embracing their gentle, feminine sides.

Each yearns to fill a deep need within that goes beyond family and material success. They long to be fully human. For Kenny in particular, birding becomes a spiritual path.

Successful CEO Stu longs to retire and do what he loves. Birding and spending time with his expected first grandchild top the list. Martin develops real depth and interest in his character despite brief screen time.

Black is oddly beautiful

Software tech Brad lives with his mom and dad after a divorce. He’s the oddly beautiful soul personified. Brad maxes out credit cards to finance his participation in the contest. His mom (Dianne Wiest) pledges her support, while his dad (Brian Dennehy) tells him to get a real life.

Brad falls for another birder Ellie (Rashida Jones) who’s already spoken for.

World record holder Kenny, who spotted 732 birds last year, is intent on staying number one. As the admired and resented champion, he plays some dirty tricks to mislead his competitors.

Kenny’s wife (Rosamund Pike) yearns to start a family. He keeps promising her that each Big Year will be his last.

Demands of a big year

Doing a “big year” can be exhausting, uncomfortable, expensive and even dangerous. Competitive birders travel at a moment’s notice, just one step ahead of the violent weather that will drive the birds’ migration.

The movie swings between different locations, bird sightings, and scenes from the birders’ lives.

The contest helps and hurts The Big Year. The initial excitement fades as the birders race to spot the most wild birds in North America within one year.

Shortchanging the actors

The movie doesn’t focus enough on its three gifted comic actors. I wanted to spend more time with these characters.

The Big Year captures a sense of community with nods to renowned, real-life birders. Anjelica Huston’s Annie Auklet is modeled on the pelagic guide Debi Shearwater. Kenny visits Phoebe’s Diner, a reference to the late Phoebe Snetsinger, who recorded over 8,000 lifetime sightings.

CGI effects jarred my attention away from the narrative, especially in a strangely funny scene out of Hitchcock’s The Birds. CGI is used to show details such as the Xantus’ Hummingbird’s gorget, and the Great Gray Owl’s “bow tie.”

Uneven film with a good heart

The three main characters seem to star in their own separate movies. Only frenzied jaunts to spot wild birds connect them. Stu and Brad join forces to defeat Kenny, but their friendship doesn’t feel fully developed.

Howard Franklin’s screenplay is based on Mark Obmascik’s book The Big Year. A similar contest between three men really did happen in 1998.

After a heart attack, Brad’s dad begins to appreciate his son’s ambition. As the two trudge over a hilly trail to find an owl, Brad has an epiphany of his own. (3 out of 5 stars)

If you like The Big Year, you might enjoy:  Shopgirl; Midnight in Paris.

 

The Big Year    2011  /  PG  /  1 hour, 40 min

Cast Overview:  Steve Martin, Jack Black, Owen Wilson, Brian Dennehy, Anjelica Huston, Rashida Jones, Tim Blake Nelson, Rosamund Pike, Dianne Wiest, JoBeth Williams

Director:  David Frankel

Genre:  Comedy, Dramedy

Midnight in Paris: Woody Allen’s love letter to Paris, literature

Woody Allen’s magic returns in Midnight in Paris. A charming, erudite frolic through Paris and the heart of an idealistic Hollywood screenwriter, the film lightheartedly explores past and present.

Woody Allen’s best work yet

Midnight in Paris savors life and literature in the City of Light. Allen’s newest film looks and feels like Woody at his eternally searching, meditative best. Opening with shots of Paris by day and night, in sun and rain, he romances the vibrant hub of culture and romance.

Allen serves a visual and emotional feast as he did in Manhattan. He incorporates a hint of his legendary zaniness (Bananas, Sleeper) with mellow, “what if” curiosity.

Zany and less nervous

The director, 76, watches these characters fuss and fight with less anxiety and more insight, as if he’s been there, done that. He reimagines his best, creative work here.

As characters struggle inwardly and with one another, Midnight in Paris echoes The Purple Rose of Cairo with a nod to literature buffs.

Allen seems less neurotic and more trusting in his latest film, a delightful culmination of his prolific career so far. Allen has written and directed a movie a year for over 40 years.

Midnight shenanigans

Delightful surprises after the clock strikes twelve are best left for viewers to discover. Owen Wilson is Allen’s on-screen persona Gil Pender, a shambling, successful screenwriter who daydreams about finishing his novel, fleeing Malibu and moving to Paris.

“Paris in the spring in the rain!” is Gil’s refrain. “You’re in love with a fantasy,” carps his gold digger fiancée Inez (Rachel McAdams).

Inez throws a fit

Inez and her parents (Kurt Fuller and Mimi Kennedy) become more agitated as Gil grows more enchanted with Paris’ Golden Age, where “every street, every boulevard is its own art form.”

Marion Cotillard is perfect as earnest femme fatale Adriana who loves Paris as much as Gil does.

Gil follows his heart

It’s a career-changing role for Wilson (Wedding Crashers; The Royal Tenenbaums), who as artistic everyman is writing a novel set in a nostalgia shop. Gil explores the charisma of the past as he seeks to satisfy inner yearnings.

Meanwhile McAdams (The Notebook, Morning Glory) plays to the Woody Allen type of a shrill, controlling female.

Nostalgia examined

Know-it-all intellectual Paul (Michael Sheen) flirts with Inez as he basks in her admiration. “Nostalgia is denial of a painful present,” he tells Gil.

The windbag has the gall to confront a museum guide (beautifully played by France’s first lady Carla Bruni) over Rodin’s love life.

Gems of performance

Fascinating actors contribute gems of performance as the story unfolds. Kathy Bates, Adrien Brody, Tom Hiddleston, Alison Pill and Corey Stoll add delight.

Filled with memorable Allenisms, the film’s best one-liners include: “No subject is terrible if the story is true and if the prose is clean and honest.” “You’ll never write well if you fear dying.”

In an interview with LA Weekly, Allen spoke about some dialogue he wrote for this film, that the artist’s job is “to find an antidote for the emptiness of existence.”

Woody speaks

“I don’t know if I believe that myself,” Allen said. “One could make a case for that – that the job of the artist is to show why life, despite all its horror and brutality, is worth living and is a valuable thing.”

You might argue that “it’s not the job of the artist to do anything at all — just to make the best art that he can, because art gives pleasure and pleasure gives distraction, and distraction is the only thing that gets us by, really,” he added.

Cinematographer Darius Khondji captures Paris’ romantic beauty. The finale unfolds on a stately bridge between past and present. (5 out of 5 stars)

If you like Midnight in Paris, you might enjoy:  Barney’s Version.

 

Midnight in Paris     2011  /  PG-13  /  1 hour, 34 min

Cast Overview:  Kathy Bates, Adrien Brody, Carla Bruni, Marion Cotillard, Rachel McAdams, Michael Sheen, Owen Wilson, Tom Hiddleston, Alison Pill, Marcial Di Fonzo Bo, Corey Stoll, Kurt Fuller, Mimi Kennedy, Lea Seydoux

Director:  Woody Allen

Genre:  Romantic Comedy, Romance