Ides of March: George Clooney runs for president

George Clooney directs an all-star cast and stars in The Ides of March, a political corruption drama that’s been eclipsed by Occupy Wall Street and worldwide activism.

Old-style politics obsolete?

As history speeds up, this film about seeking political office feels dated.

Clooney (Good Night, and Good Luck.Confessions of a Dangerous Mind) loves exploring politics on film. Directing his fourth movie, he evokes deep, honest portrayals of political personalities.

Gosling as idealist

Ryan Gosling is ambitious idealist Stephen Myers, press secretary and strategist for the presidential campaign of Gov. Mike Morris (Clooney). “I’ll do or say anything if I believe in it,” Myers says.

Meanwhile real-life activists call for fundamental social change and a democracy that serve the people. Myers’ allegiance to one politician who will save us seems naïve.

Cut-throat campaigners

Philip Seymour Hoffman is dead on as Paul Zara, Morris’ shrewd campaign chief. Paul Giamatti plays Tom Duffy, the opposing campaign’s strategist who tries to steal Myers. Giamatti is excellent as a hack who’s risen to the national level by playing dirty while managing to stay likeable.

Money vs. ideals

Morris seems to be progressive (Clooney is a Democrat), but the film barely mentions political parties. The choice to ignore money in politics takes the story out of context. The Ides of March becomes more emotional exploration than political story. 

Clooney is strong, sure and stoic. Morris is the complete package, a “perfect leader” backed by hidden powers and influencers.

The candidate deflects a question about religion, declaring his allegiance to the Constitution. Behind the scenes, he is fallible and forced to compromise his principles.

Jaded journalist follows horse race

In one of her best roles, Marisa Tomei plays Ida Horowicz, a New York Times reporter. Ida believes so strongly in the system and “the way things are” that she covers nothing but the horse race.

Horowicz has completely lost touch with the issues and with voters. She reports instead on behind-the-scenes campaign maneuvers. Tomei’s portrait of a burned out, obsolete journalist is devastating.

In this game there are only foes and allies who can further your interests. Horowicz and Myers joust over their “friendship” with a satisfying turnabout in the end.

Same old scandals

Evan Rachel Wood plays Molly Stearns, daughter of the head of the Democratic National Committee. As a campaign intern, her sexcapades reveal a stunning lack of self-esteem.

Senator Thompson (Jeffrey Wright as petulant power-broker) threatens to withhold his Ohio delegates unless he’s promised the Secretary of State spot in a Morris administration. Jennifer Ehle (always moving) briefly appears as Morris’ loyal wife.

See it for the acting

The larger-than-life cast is intense. Still, The Ides of March is no Michael Clayton.

There are no real surprises. Public officials are corrupt. They’re compromised by special interests. The pressure of running for public office is overwhelming.

The screenplay is solid, but lacks originality. There is good a plot twist as Myers is indelibly changed by what he sees. Still the movie needs more oomph.

The script is based on Beau Willimon’s play Farragut North (2008). Clooney, his frequent collaborator Grant Heslov and Willimon wrote the screenplay.

Democracy needs reclaiming

Horowicz’s words are prophetic: “Mike Morris is a politician. He’s a nice guy. They’re all nice guys. He will let you down sooner or later.”

How will citizens take back their democracy? Real life will tell. (3.5 out of 5 stars)

If you like The Ides of March, you might enjoy:  The American; Up in the Air.

 

The Ides of March    2011  /  R  /  1 hour, 41 min

Cast Overview:  Ryan Gosling, George Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Jeffrey Wright, Evan Rachel Wood, Max Minghella, Jennifer Ehle, Michael Mantell, Gregory Itzin 

Director:  George Clooney

Genre:  Drama, Political Drama

Win Win: Giamatti mentors teen wrestler, gets schooled

In Win Win, Paul Giamatti plays a struggling storefront lawyer and wrestling coach who learns about honesty from a teen sports prodigy.

Breadwinner cuts corners

Mike Flaherty (Giamatti) crosses a moral gray area early in the film. It happens so quickly that it goes unnoticed. Weighing the demands of home and family, Mike chooses a compromise. Being the breadwinner has become dicey in a changing economy.

Mike takes guardianship of elderly Leo (veteran actor Burt Young, touching and emotive). This will garner $1500 a month for his family.  Caring for Leo, who is in the early stages of dementia, will not be easy. Mike sucks on a single cigarette behind a dumpster each day, throwing away the rest of the pack.

Giamatti is earnest, intense

Golden Globe winner Giamatti is known for his characters who live through their own private hells. In his breakthrough role as comic book artist Harvey Pekar in American Splendor, Giamatti explored despair. 

The Yale drama grad achieved transcendent performances in Barney’s Version and John Adams.

Shaffer’s great acting debut

Alex Shaffer is perfect as Kyle, a deadpan runaway whose mother is in drug rehab.  After a few beatings from his mom’s boyfriend, he flees to see Leo, the grandfather he’s never met.

Kyle reveals nothing about his past. His mellow façade covers anger on a slow boil. He’s an innately good, even sweet kid who might set a new course after Mike finds him on Leo’s doorstep.

Shaffer was New Jersey’s high school champion wrestler in the 119 pound class. Kyle is a champion who suddenly disappeared from the headlines. Mike can’t believe his luck as Kyle decides to join the local team.

Director’s wrestling past

Director Tom McCarthy and boyhood friend Joe Tiboni wrote the script together, drawing on their own less than stellar high school wrestling days. Win Win is infused with the excitement of high school sports.

“Cool mom” Jackie Flaherty comes to life thanks to talented Amy Ryan. Jackie has mixed feelings about bringing an outsider into their home.

When Kyle arrives, she sits him down for some straight talk. Ryan beautifully evokes the New Jersey homemaker and caregiver with a Jon Bon Jovi tattoo. She’s the first one Kyle opens up to.

Mom in trouble

Melanie Lynskey plays Kyle’s mom. Vulnerable but decent, she rediscovers her love for her son even while she grasps at anything to turn her life around.

Cindy reunites with her father Leo after a lifelong combative relationship. She seeks forgiveness from Jackie Flaherty and everyone she meets, but most of all from Kyle.

Wonderful cast

Bobby Cannavale adds comedic flash as Mike’s wild card, divorced best friend Terry. The boyish trio of Giamatti, Cannavale and Jeffrey Tambor (as assistant coach) will have audiences laughing while they wince.

David Thompson treats us to true blue Stemler, Kyle’s friend on the wrestling team.

“It’s complicated,” Flaherty says when Kyle confronts him. The film’s turning point is bitter. Kyle, his mother and the Flahertys all arrive at a crossroads in this skillfully balanced story.

Gifted director

In The Station Agent and The Visitor, McCarthy honed his fine power to mold fully realized characters. Every performance in Win Win shows his mastery.

Watching a McCarthy film, like reading a good novel, draws us in. He discovers shimmering light in the stuff of everyday lives. McCarthy is also an actor who has appeared in films as diverse as 2012 and Fair Game.

The word “love” isn’t used until late in the movie, but when we hear it we believe it. Win Win’s ending is redemptive but not too sentimental. (5 out of 5 stars)

If you like Win Win, you might enjoy:  The Kids Are All Right; Terri; Everything Must Go.

 

Win Win   2011  /  R  /  1 hour, 46 min

Cast Overview:   Paul Giamatti, Amy Ryan, Bobby Cannavale, Jeffrey Tambor, Burt Young, Melanie Lynskey, Alex Shaffer, Margo Martindale, David Thompson

Director:  Tom McCarthy

Genre:  Comedy, Sports Comedy

Barney’s Version: Giamatti goes gaga for love

In Barney’s Version, Paul Giamatti brings to life a witty, vain and frustrated romantic. The actor won a Golden Globe for his performance.

We first meet Barney Panofsky partying in Rome. Soon he launches into a shotgun marriage with manic beauty Clara (Rachelle Lefevre in a brief, memorable role).

Wayward Barney

In a fast forward to Barney’s middle years in Canada, the antihero makes TV soap operas for Totally Unnecessary Productions.  His first marriage is over.

Cranky and exasperated, he works for a paycheck.  Barney’s soap opera is like Mary Hartman, Mary Hartman, minus any social relevance.

Next he snags a sexy, rich Jewish beauty (Minnie Driver, marvelous and shrill). Barney’s wise-cracking Dad, retired cop Izzy Panofsky, congratulates him on his choice.

Dustin Hoffman’s Izzy is side-splitting as he accompanies his boychick to dinner with the new fiancée and her parents.

Second marriage falters

The downward spiral of the second Mrs. Panofsky from pre- to post-wedding is sharp. Barney is in for a rough patch again. Drinking heavily at the reception, he steals off to watch a hockey championship with his buddies, including Boogie (Scott Speedman). Izzy urges Barney to be smart and hang on to his wealthy new mate.

In a great comedic turning point, Barney sets eyes on Miriam (soulful realist Rosamund Pike) at his own wedding reception. He introduces himself. She’s smart, honest and witty. He can’t believe his luck. He’s finally met the woman of his dreams.

Meeting Miriam

Giamatti makes the most of the unlikely discovery.  Barney flees his own wedding. He finds Miriam in her seat moments before her train leaves for New York City.  Giamatti is superb in his romantic declaration.

The rest of Barney’s Version unfolds with realism, warmth and satisfying plot twists.  Barney can be crass and blistering, sexist yet vulnerable.

Giamatti renders Barney lovable, especially as the mature character looks back on his life. Finally, he’s a better man than his actions reveal.

Zany character mirrors novelist

Barney is a prototype of Jewish Canadian novelist Mordecai Richler and Saul Bellow’s Moses Herzog. Richler’s excellent novel Barney’s Version paints a more rollicking, in-your-face character than Giamatti’s introspective drinker.

Director Richard J. Lewis and writer Michael Konyves have crafted an admirable screenplay, although a subplot about a murder investigation is distracting and unneeded on film.

Canadian new wave filmmakers Atom Egoyan, David Cronenberg and Denys Arcand add depth and whimsy in cameo appearances. Director Lewis appears briefly as a pathologist. (4 out of 5 stars)

If you liked Barney’s Version, you might enjoy: A Serious Man; Greenberg.

Barney’s Version  2010  /  R  /  2 hours, 12 min

Cast Overview:  Paul Giamatti, Dustin Hoffman, Rosamund Pike, Minnie Driver, Rachelle Lefevre, Scott Speedman, Bruce Greenwood

Director:  Richard J. Lewis

Genres:  Comedy, Romance, Based on the Book