Ides of March: George Clooney runs for president

George Clooney directs an all-star cast and stars in The Ides of March, a political corruption drama that’s been eclipsed by Occupy Wall Street and worldwide activism.

Old-style politics obsolete?

As history speeds up, this film about seeking political office feels dated.

Clooney (Good Night, and Good Luck.Confessions of a Dangerous Mind) loves exploring politics on film. Directing his fourth movie, he evokes deep, honest portrayals of political personalities.

Gosling as idealist

Ryan Gosling is ambitious idealist Stephen Myers, press secretary and strategist for the presidential campaign of Gov. Mike Morris (Clooney). “I’ll do or say anything if I believe in it,” Myers says.

Meanwhile real-life activists call for fundamental social change and a democracy that serve the people. Myers’ allegiance to one politician who will save us seems naïve.

Cut-throat campaigners

Philip Seymour Hoffman is dead on as Paul Zara, Morris’ shrewd campaign chief. Paul Giamatti plays Tom Duffy, the opposing campaign’s strategist who tries to steal Myers. Giamatti is excellent as a hack who’s risen to the national level by playing dirty while managing to stay likeable.

Money vs. ideals

Morris seems to be progressive (Clooney is a Democrat), but the film barely mentions political parties. The choice to ignore money in politics takes the story out of context. The Ides of March becomes more emotional exploration than political story. 

Clooney is strong, sure and stoic. Morris is the complete package, a “perfect leader” backed by hidden powers and influencers.

The candidate deflects a question about religion, declaring his allegiance to the Constitution. Behind the scenes, he is fallible and forced to compromise his principles.

Jaded journalist follows horse race

In one of her best roles, Marisa Tomei plays Ida Horowicz, a New York Times reporter. Ida believes so strongly in the system and “the way things are” that she covers nothing but the horse race.

Horowicz has completely lost touch with the issues and with voters. She reports instead on behind-the-scenes campaign maneuvers. Tomei’s portrait of a burned out, obsolete journalist is devastating.

In this game there are only foes and allies who can further your interests. Horowicz and Myers joust over their “friendship” with a satisfying turnabout in the end.

Same old scandals

Evan Rachel Wood plays Molly Stearns, daughter of the head of the Democratic National Committee. As a campaign intern, her sexcapades reveal a stunning lack of self-esteem.

Senator Thompson (Jeffrey Wright as petulant power-broker) threatens to withhold his Ohio delegates unless he’s promised the Secretary of State spot in a Morris administration. Jennifer Ehle (always moving) briefly appears as Morris’ loyal wife.

See it for the acting

The larger-than-life cast is intense. Still, The Ides of March is no Michael Clayton.

There are no real surprises. Public officials are corrupt. They’re compromised by special interests. The pressure of running for public office is overwhelming.

The screenplay is solid, but lacks originality. There is good a plot twist as Myers is indelibly changed by what he sees. Still the movie needs more oomph.

The script is based on Beau Willimon’s play Farragut North (2008). Clooney, his frequent collaborator Grant Heslov and Willimon wrote the screenplay.

Democracy needs reclaiming

Horowicz’s words are prophetic: “Mike Morris is a politician. He’s a nice guy. They’re all nice guys. He will let you down sooner or later.”

How will citizens take back their democracy? Real life will tell. (3.5 out of 5 stars)

If you like The Ides of March, you might enjoy:  The American; Up in the Air.

 

The Ides of March    2011  /  R  /  1 hour, 41 min

Cast Overview:  Ryan Gosling, George Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Jeffrey Wright, Evan Rachel Wood, Max Minghella, Jennifer Ehle, Michael Mantell, Gregory Itzin 

Director:  George Clooney

Genre:  Drama, Political Drama

Blue Valentine: Williams, Gosling tackle doomed romance

Blue Valentine is a raw and emotionally explosive look at a dying marriage. Two hearts are dissected piece by piece. It’s a romance bordering on normalcy and horror.

Intense chemistry

Blue Valentine lives in the intense chemistry between Michelle Williams and Ryan Gosling.  As steady, determined Cindy and romantic, aimless Dean, the two take awesome risks to ignite the love story at the heart of their present-day, sad relationship. Gosling almost leaps off a bridge, and Williams bares all making love to a man she no longer loves.

Unfortunately, Derek Cianfrance’s direction and the film’s editing muddle the story.

Too many flashbacks

Stunningly realistic, Blue Valentine suffers from intrusive flashbacks that are often overused in contemporary American films.  Its soundtrack relies heavily on overt lyrics. Gosling plays a Tiny Tim-like ukulele solo of You Always Hurt the One You Love.

The story jolts back and forth from the couple’s darkening present to its innocent, carefree beginnings. The present is tortuous, especially during a scene in an outer space-themed motel room with a revolving bed.

Dean’s genesis as a mean alcoholic is not explained. He says he is happy being a stay-at-home dad.

Cindy holds it together

Cindy holds a steady, professional job as a nurse in an OB/GYN practice.  The questionable paternity of their daughter Frankie (wonderful Faith Wladyka) unnerves Dean’s inherently self-destructive personality.

We learn that Cindy’s father (John Doman) bullied his family (no explanation given), and that she has a history of choosing abusive boyfriends.

Poised to jump

In an impromptu scene, Dean perches precariously atop a safety fence on the Brooklyn Bridge, threatening to jump if Cindy doesn’t reveal a secret. His immaturity, when contrasted with the great rapport he has later with daughter Frankie, is painful to watch.

Gosling is potent in a violent scene trashing the doctor’s office where Cindy works.  In his own pitiful way, he intuits the truth about Cindy’s opportunity for advancement and the doctor’s feelings for her.

Tortured romance

Explicit sexuality runs the gamut from joyful to sad to hurtful.  The stars evoke sweetness and brutal honestly.

Williams gives one of her best performances as valiant Cindy.  Williams (Brokeback Mountain) and Gosling (Lars and the Real Girl) both gained 15 pounds to portray present-day husband and wife.

The conclusion struggles, dampened by flashbacks. Cindy grows over time. Dean lives in the past. (4 out of 5 stars)

If you like Blue Valentine, you might enjoy:  Two Lovers; Crazy Heart.

Blue Valentine   2010  /  R  /  2 hours

Cast Overview:   Michelle Williams, Ryan Gosling, John Doman, Faith Wladyka, Mike Vogel

Director:  Derek Cianfrance

Genres:  Indie Drama, Indie Romance