Samsara: Ron Fricke evokes oneness, compassion in newest film

Ron Fricke’s Samsara weaves grand images and living music. Observing the “ever turning wheel” of birth, death and rebirth, the director / cinematographer builds on his previous films Baraka and Chronos. It is now streaming and on DVD.

Shot on 70mm film in 25 countries over five years, Samsara is one long, slow gaze at humanity and the Earth now. It’s wordless. There’s no opinion or commentary. It’s as if the Divine is watching us patiently, without judgment.

Samsara is a masterpiece for relaxation, meditation, and developing what is called the “neutral witness.”

Samsara Official Teaser Trailer (Ron Fricke, 2011) from Arrow Films on Vimeo.

Meditation spans disquiet, grace

Fricke seamlessly weaves time-lapse photography with still images. He regards babies’ baptisms and children’s coffins. The devastation of a post-Katrina New Orleans is shown. Factory farm animals, pitifully crowded, are herded toward slaughter.

Crates of bright, shiny bullets are shown. Guns are assembled. Fricke’s vision is timely.

A father, son and daughter stare unblinking into the camera. Each holds a rifle. The daughter’s rifle is pink.

Fricke’s evolution as filmmaker, cinematographer

Samsara updates Baraka, for example, as a massive glacier melts. It looks more at cities and culture, while Baraka is more spiritual. Chronos is a travelogue through time. Expansive in world view, each film compels you to consider East, West, North and South.

Among Samsara’s visual art is the making (and destruction) of a Buddhist sand mandala. All we see and experience will pass away. Seen from far above, a sea of Islamic pilgrims circles the Ka’bah in Mecca during Ramadan. A great sense of Oneness draws me in.

Take a close look at the Dance of Infinite Compassion performed by the Chinese Thousand-Hand Guan Yin dancers. They portray Kuan Yin, Goddess of Mercy and Compassion. Her final gaze is a blessing. You can feel it.

Being here now

With his longtime producer Mark Magidson, Fricke lavishes time and care on each project. Such quality is a gift. There are no special effects. This is the real world.

Michael Stearns (Baraka) spent six months scoring the film. Composers Lisa Gerrard (Whale Rider; The Insider) and Marcello De Francisci (Burning Man) play instruments of many cultures. Each was recorded live. Gerrard (Dead Can Dance) performs vocals.

Samsara: Take Action

To learn more about independent films and to support quality filmmaking initiatives, please visit: SpiritofBaraka.com; Koyaanisqatsi.org; Ted Hope.

If you like Samsara, you might enjoy:  Baraka; Chronos; Koyaanisqatsi.

 

Samsara   2011  /  PG-13  /  1 hour, 42 min

Director:  Ron Fricke

Genre:  Documentary, Art House

Samsara: Shawn Ku stars in spiritual love story

 

Shawn Ku plays a Tibetan Buddhist lama who explores spiritual and sensual love in Samsara. Tashi (Ku) changes his life when he meets beautiful Pema (Christy Chung).

Siddhartha story updated

Director Pan Nalin brings the Siddhartha tale full circle. Siddhartha Gautama, the founder of Buddhism, abandoned great wealth and his family to meditate in poverty. In this way he found enlightenment. Tashi decides to travel the path to Buddhahood by returning to everyday life.

Nalin told IndiaGlitz that this “simple love story about choices” derives its power from more silence and less dialogue.

Tashi’s great longing

In Samsara’s dramatic opening, Tashi is retrieved by the lamas after meditating in solitude for three years, three months and three days. The devotee is covered with dirt. With long hair and nails grown into talons, Tashi can’t move or open his eyes.

Slowly regaining his strength, Tashi finds that his heart has grown. He longs to leave the lamasery, to become fully human in samsara, the cycle of birth, death and rebirth.

Tashi pleads with his superior Apo (Sherab Sangey): “Even Lord Gautama was permitted to live as an ordinary man for his first 29 years!” The lamas try to dissuade him. Nevertheless he sets out to experience love, sexuality and fatherhood.

World and spirit meet

Samsara reveals how our souls grow through both spiritual and worldly experience. We are souls having a human experience, always connected with the Divine.

Sensitive performances by Ku, an independent film director (Beautiful Boy), and Chung, a Chinese actor (Bruce Lee, My Brother) complete this gorgeous film about inner growth and life meaning.

The Ladakh region of the Himalayas comes alive in Rali Raltchev’s cinematography. Serenity and drama unfold in colorful scenes of prayer, meditation, devotional dance and rural farming.

 

Love and destiny

Tashi and Pema make love in a field. When Pema’s family finds out, they beat Tashi until they realize who he is. An astrologer is called in to decide Pema’s destiny.

The two marry and have children, including a son Karma (Tenzin Tashi). Tashi prospers as a farmer, bringing the harvest to town himself rather than yielding to a dishonest middle man Dawa (Lhakpa Tsering). In retaliation, the family field is set ablaze.

Satisfy 1,000 desires or just one?

Neighbors help the family extinguish the fire. Tashi lusts after a field worker Sujata (Neelesha BaVora). He betrays Pema.

Learning that Apo has died, Tashi reads a message from the teacher: “What is more important: satisfying one thousand desires or conquering just one.” He decides to leave Pema and return to the lamasery.

Paradox of enlightenment

Pema confronts her fleeing husband. Chung gives a memorable speech, comparing herself to Siddhartha’s abandoned wife Yashodhara.

Pema lives in every moment. She pursues Buddhahood as a devout wife and mother, very much like Mary, Christ’s mother.

Tashi has the luxury of walking out on his family. Pema does not. Lamaseries were only open to men at that time, so the path to enlightenment seemed closed to women.

All paths lead to the Divine

Pema argues eloquently for the marriage of everyday life and devotional practice. She loves the Divine as much as he does.

Tashi sees a question inscribed on a rock: “How can one prevent a drop of water from ever drying up?” He learns the answer. Poised in time and timelessness, he looks to the sky. (5 out of 5 stars)

If you like Samsara, you might enjoy:  Dalai Lama: Renaissance.

 

Samsara   2001  /  R  /  2 hours, 18 min

Cast Overview: Shawn Ku, Christy Chung, Naleesha BaVora, Lhakpa Tsering, Tenzin Tashi, Jamayang Jinpa, Sherab Sangey, Kelsang Tashi, Tsepak Tsangpo

Director:  Pan Nalin

Language: Tibetan, Ladakhi with English subtitles

Genre:  Drama, Spirituality