Samsara: Shawn Ku stars in spiritual love story

 

Shawn Ku plays a Tibetan Buddhist lama who explores spiritual and sensual love in Samsara. Tashi (Ku) changes his life when he meets beautiful Pema (Christy Chung).

Siddhartha story updated

Director Pan Nalin brings the Siddhartha tale full circle. Siddhartha Gautama, the founder of Buddhism, abandoned great wealth and his family to meditate in poverty. In this way he found enlightenment. Tashi decides to travel the path to Buddhahood by returning to everyday life.

Nalin told IndiaGlitz that this “simple love story about choices” derives its power from more silence and less dialogue.

Tashi’s great longing

In Samsara’s dramatic opening, Tashi is retrieved by the lamas after meditating in solitude for three years, three months and three days. The devotee is covered with dirt. With long hair and nails grown into talons, Tashi can’t move or open his eyes.

Slowly regaining his strength, Tashi finds that his heart has grown. He longs to leave the lamasery, to become fully human in samsara, the cycle of birth, death and rebirth.

Tashi pleads with his superior Apo (Sherab Sangey): “Even Lord Gautama was permitted to live as an ordinary man for his first 29 years!” The lamas try to dissuade him. Nevertheless he sets out to experience love, sexuality and fatherhood.

World and spirit meet

Samsara reveals how our souls grow through both spiritual and worldly experience. We are souls having a human experience, always connected with the Divine.

Sensitive performances by Ku, an independent film director (Beautiful Boy), and Chung, a Chinese actor (Bruce Lee, My Brother) complete this gorgeous film about inner growth and life meaning.

The Ladakh region of the Himalayas comes alive in Rali Raltchev’s cinematography. Serenity and drama unfold in colorful scenes of prayer, meditation, devotional dance and rural farming.

 

Love and destiny

Tashi and Pema make love in a field. When Pema’s family finds out, they beat Tashi until they realize who he is. An astrologer is called in to decide Pema’s destiny.

The two marry and have children, including a son Karma (Tenzin Tashi). Tashi prospers as a farmer, bringing the harvest to town himself rather than yielding to a dishonest middle man Dawa (Lhakpa Tsering). In retaliation, the family field is set ablaze.

Satisfy 1,000 desires or just one?

Neighbors help the family extinguish the fire. Tashi lusts after a field worker Sujata (Neelesha BaVora). He betrays Pema.

Learning that Apo has died, Tashi reads a message from the teacher: “What is more important: satisfying one thousand desires or conquering just one.” He decides to leave Pema and return to the lamasery.

Paradox of enlightenment

Pema confronts her fleeing husband. Chung gives a memorable speech, comparing herself to Siddhartha’s abandoned wife Yashodhara.

Pema lives in every moment. She pursues Buddhahood as a devout wife and mother, very much like Mary, Christ’s mother.

Tashi has the luxury of walking out on his family. Pema does not. Lamaseries were only open to men at that time, so the path to enlightenment seemed closed to women.

All paths lead to the Divine

Pema argues eloquently for the marriage of everyday life and devotional practice. She loves the Divine as much as he does.

Tashi sees a question inscribed on a rock: “How can one prevent a drop of water from ever drying up?” He learns the answer. Poised in time and timelessness, he looks to the sky. (5 out of 5 stars)

If you like Samsara, you might enjoy:  Dalai Lama: Renaissance.

 

Samsara   2001  /  R  /  2 hours, 18 min

Cast Overview: Shawn Ku, Christy Chung, Naleesha BaVora, Lhakpa Tsering, Tenzin Tashi, Jamayang Jinpa, Sherab Sangey, Kelsang Tashi, Tsepak Tsangpo

Director:  Pan Nalin

Language: Tibetan, Ladakhi with English subtitles

Genre:  Drama, Spirituality

Beautiful Boy: mass murderer reaches feuding parents

Beautiful Boy is a searing emotional drama about a boy’s life and death. Shawn Ku directs.

Campus shooting shocks families

After a campus murder-suicide spree, Kate and Bill Carroll call their son Sammy to make sure he’s all right. Suddenly there’s a knock on the door. Not only has Sammy died. He was the shooter.

Produced after the 2007 Virginia Tech shootings, Beautiful Boy captures a change of heart. Maria Bello and Michael Sheen fascinate as agonized parents forced to open their hearts to each other just to survive.

Marriage in trouble

As the film opens, Kate and Bill sleep in separate beds. Bill wants to move to his own apartment and start over. Kate tries to reunite the family one last time by proposing a Miami vacation.

They stayed together for Sammy’s sake. When he calls them for the last time, Sammy sounds distant and withdrawn. Bill hangs up and goes to bed. Kate persists, asking the 18-year-old how he is.

As Sammy rambles on about snowflakes, she listens. Freshman year is hard for everyone, Kate reassures him. The boy has always been different, quiet and sensitive.

Bello, Sheen outstanding

Bello (A History of Violence; Prime Suspect) is stunning. Her evolution as an actor is clear as she balances rage, honesty and heartbreak. She unleashes a firestorm of denial, grief and coping.

Sheen (the London stage veteran who played David Frost in Frost/Nixon) is excellent as a man of long-suppressed emotions who hardly knows himself.

Bill moves like a robot each day between home and office. Already an emotional fugitive, he flees further within after the massacre.

Kyle Gallner plays troubled Sammy

Kyle Gallner (CSI: NY; A Nightmare on Elm Street) perfectly captures depressed, troubled Sammy. His eyes say so much more than he does. Television news reports reveal that he slayed 21 before killing himself.

Besieged by reporters, the devastated couple hides in their own home before taking refuge with Kate’s brother Eric (Alan Tudyk) and his wife Trish (Moon Bloodgood). Trish’s alarmed, well-meaning questions only intensify their pain.

Sensitive production

Healing begins. As each moment passes, even mundane chores become accomplishments. Michael Fimognari creates intimacy and a dream-like aesthetic with a hand-held camera. Ku wrote the screenplay with Michael Armbruster.

Beautiful Boy is an autopsy of a marriage. Kate and Bill grow closer and careen apart. They lash out at themselves and each other. They collapse in exhaustion.

Perfectionist Kate is a proofreader. She edits the couple’s media statement, allowing Bill to face the reporters himself. Kate also inspires an opportunistic young novelist Cooper (Austin Nichols).

Making sense of tragedy

Trish gets upset when her house guest begins “fixing” their home and reading bedtime stories to their little boy. The Carrolls move to a motel.

Bill’s pain is primal. Meanwhile Kate rifles through Sammy’s bedroom. She reads his school papers. Grasping for answers, the parents are left with uncertainty.

“I don’t believe in monsters.”

Everyone is touched in some way by the incident. Even a motel clerk (Meat Loaf Aday) learns compassion when the mother and father seek refuge. They become real to him.

“I don’t believe in monsters,” Ku says on the film’s website. Beautiful Boy not only made me empathize with the parents. It reminded me that I am my brother’s keeper. (4.5 out of 5 stars)

If you like Beautiful Boy, you might enjoy:  Rabbit Hole.

 

Beautiful Boy    2010  /  R   /  1 hour, 40 min

Cast Overview:  Michael Sheen, Maria Bello, Alan Tudyk, Moon Bloodgood, Kyle Gallner, Austin Nichols, Meat Loaf Aday

Director:  Shawn Ku

Genre:  Drama